Art/ Collection/ Art Object
{{img.publicCaption}}

Embracing Female Figures, Some Holding Musical Scores.

Artist:
Attributed to Girolamo Mirola (Italian, Bologna documented, 1562–1570)
Artist:
or, less likely Bertoia (Jacopo Zanguidi) (Italian, Parma 1544–?1573 Caprarola (?))
Date:
1570–73
Medium:
Pen and brown ink, brush and brown wash, partly highlighted with white gouache (somewhat oxidized), over black chalk; squared in black chalk
Dimensions:
sheet: 5 3/16 x 9 5/8 in. (13.2 x 24.5 cm)
Classification:
Drawings
Credit Line:
Gift of James J. Rorimer, 1966
Accession Number:
66.32
Not on view
Caleb Whitefoord (British, Edinburgh 1734–1810 London)ca. 1798 when engraved by C. M. Metz; Louis Rorimer (Cleveland, Ohio); James J. Rorimer(former Director of the Museum)
The Metropolitan Museum of Art. "15th and 16th Century Italian Drawings in The Metropolitan Museum of Art," February 16, 1983–April 17, 1983.

Comune di Parma-Assessorato Alla Cultura. "Jacopo Zanguidi, il Bertoja," December 11, 2004–April 3, 2005.

Conrad Martin Metz Imitations of Ancient and Modern Drawings, from the Restoration of the Arts in Italy, to the Present Time. London, 1798, fig. no. pl. 74, ill.

Rudolph Weigel Die Werke der Maler in ihren Handzeichnungen.... Leipzig, 1865, cat. no. no. 5836, p. 489.

A. Ghidiglia Quintavalle Il Bertoja. Parma, 1963, fig. no. pl. 37, pp. 35, 54, ill.

Loren W. Partridge "The Sala d'Ercole in the Villa Farnese at Caprarola, Parts 1 and 2" The Art Bulletin. vol. 53, no. 4, 1971-1972, fig. no. 6, p. 467, ill.

Arthur Ewart Popham Catalogue of the Drawings of Parmigianino. 3 vols., New Haven and London, 1971, p. 18.

Diane DeGrazia The Drawings of Jacopo Bertoia. [Ph.D. dissertation]. PhD diss., 1972 cat. no. 33.

Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 32, fig. no. 32, p. 47, ill.

Bert W. Meijer, Diane DeGrazia "Mirola and Bertoia in the Palazzo del Giardino, Parma." Art Bulletin. vol. 69, no. 3, 1987, fig. no. 7, p. 403, ill.

Diane DeGrazia Bertoia, Mirola, and the Farnese Court. 1991, cat. no. D6, fig. no. 102, pp. 163-64, 169, ill.



Related Objects

Lucretia

Artist: Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome) Date: 1508–10 Medium: Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso) Accession: 1997.153 On view in:Not on view

The Head of the Virgin in Three-Quarter View Facing Right

Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) Date: 1510–1513 Medium: Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo) Accession: 51.90 On view in:Not on view

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Artist: Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher) Date: 1435–38 Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso) Accession: 1996.364a, b On view in:Not on view

Otto, Count of Nassau and his Wife Adelheid van Vianen

Artist: Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42 Brussels) Date: 1530–35 Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto Accession: 1995.12 On view in:Not on view

Jupiter and Juno: Study for the 'Furti di Giove' Tapestries

Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome) Date: ca. 1532–35 Medium: Pen and dark brown ink with brown and gray wash, highlighted with white gouache Accession: 2011.36 On view in:Not on view