Decorated Initial with Scene of Christ Entering the Temple.
Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))
Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum
Overall: 12 x 9 5/8 in. (30.5 x 24.4 cm)
Purchase, Lila Acheson Wallace Gift, 1999
Not on view
Wound around the initial "D" is a complex ornamental design of exquisitely rendered naturalistic flowers, and a portion of musical notation is visible at upper right. Within the capital "D" is a figural scene depicting Christ entering the Temple. This very early, extremely rare, and carefully constructed drawing by Lorenzo Monaco was intended for an illuminated manuscript which was left unfinished, without color, and which was to be included as one of the pages of the famous choir books for the church of Santa Maria degli Angeli in Florence. The sinuous, elegant figures seen here are beautiful examples of the late Gothic style. The drawing dates from a time when Italian artists were just beginning to use paper and parchment for a creative exploration of ideas. Lorenzo Monaco was the greatest master of early-fifteenth-century Florentine illumination, and his working process in this drawing is revelatory, especially in that he drew the figural scene inside the initial with greater expressive spontaneity, modeling the forms with wash, but simply outlined the large foliage ornament with meticulous precision. (Carmen C. Bambach)
Inscription: The verso of the page is annotated in pen and red ink on the upper left, "68."
Les Enluminures; Vendor: Les Enluminures
The Metropolitan Museum of Art. "Fra Angelico," October 26, 2005–January 29, 2006.
Carmen C. Bambach, Colta Ives, Nadine Orenstein, Michiel C. Plomp, Perrin Stein "Recent Acquisitions, A Selection: 1999-2000." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 58, no. 20, Fall 2000, pp. 22-23 (entry by Carmen C. Bambach), ill.
Chris Fischer Central Italian Drawings. Schools of Florence, Siena, the Marches and Umbria. Italian Drawings in the Department of Prints and Drawings. Statens Museum for Kunst. Copenhagen, 2001, p. 39, under no. 1.
Pia Palladino, Laurence B. Kanter Fra Angelico. Exh. cat. The Metropolitan Museum of Art. New York, New Haven and London, 2005, pp. 13-19, no. 1B (as Lorenzo Monaco and Fra Angelico [?], entry by Lawrence B. Kanter).
Angelo Tartuferi, Daniela Parenti Lorenzo Monaco: A Bridge from Giotto's Heritage to the Renaissance. Exh. cat., Galleria dell'Accademia, Florence (9 May - 24 September, 2006). Florence, 2006, pp. 288-90, no. XI.B (entry by Ada Labriola).
Carmen C. Bambach "Tuscan Drawings of the Quattrocento and Cinquecento in the Metropolitan Museum of Art 1998-2005." Invisibile agli occhi: Atti della giornata di studio in ricordo di Lisa Venturini. Ed. by Nicoletta Baldini, Fondazione di Studi di Storia dell'Arte Roberto Longhi, Florence, 2007, pp. 78, 88 n.8.
Artist: Circle of Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))Date: ca. 1420Medium: Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date.Accession: 1975.1.335On view in:Not on view