Art/ Collection/ Collection/ Art Object
{{img.publicCaption}}

Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels

Artist:
Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Artist:
Frans Huys (Netherlandish, 1522–1562)
Publisher:
Hieronymus Cock (Netherlandish, Antwerp ca. 1510–1570 Antwerp)
Date:
1561–65
Medium:
Engraving and etching; first state of three
Dimensions:
Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm) Sheet: 10 15/16 × 13 in. (27.8 × 33 cm)
Classification:
Prints
Credit Line:
Bequest of Alexandrine Sinsheimer, 1959
Accession Number:
59.534.23
Not on view
This engraving belongs to a series of ten prints known as the Sailing Vessels, executed by Frans Huys after designs by Pieter Bruegel the Elder. The series displays a wide range of sailing vessels, including merchantmen and warships, large seagoing vessels and small coasters, galleys, and caravels. Here, Bruegel depicted a four-master, i.e., a ship with four masts, and two three-masters anchored near a fortified island capped by a lighthouse. The detail and painstaking accuracy with which the vessels are rendered attests to the artist's great care and leaves no doubt that Bruegel must have prepared for the series by making numerous sketches and elaborate studies—all of which unfortunately are lost. At what point in his life Bruegel became interested in the subject of ships is unclear, but the deep fascination the citizens of Antwerp took in it is understandable given the nature of the city's economy. As a mercantile superpower with direct access to the North Sea, and as home to some of the most ambitious traders and explorers in Europe, Antwerp took great pride in the prowess and engineering of their ships and in their connection to the sea. Whatever the precise source of their appeal, Bruegel's series of Sailing Vessels was a highly sophisticated creation that far surpassed previous examples of the genre in technique and imagination.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," October 21, 1996–January 6, 1997.

Van Bastelaer 104; NH (Bruegel) 142.68.i; Rotterdam/MMA 2001, no. 92
Related Objects

Hope (Spes) from The Virtues

Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Date: ca. 1559–60 Medium: Engraving Accession: 28.4(40) On view in:Not on view

Hope (Spes) from the series The Virtues

Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Date: 1559–60 Medium: Engraving Accession: 26.72.20 On view in:Not on view

Avarice (Avaritia), from the series The Seven Deadly Sins

Artist: Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Date: 1558 Medium: Engraving; first state of two Accession: 18.55.21 On view in:Not on view

The Temptation of St. Anthony

Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Date: 1556 Medium: Engraving Accession: 28.4(13) On view in:Not on view

Faith (Fides) from the series The Virtues

Artist: Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Date: ca. 1559–60 Medium: Engraving; first state of two Accession: 26.72.30 On view in:Not on view