After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague)
Engraving printed from three plates; second state
16 15/16 x 33 5/8in. (43 x 85.4cm)
Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, Martha Feltenstein Gift, and A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2000
Not on view
Comprising about seventy figures and printed from three engraved plates, this print was the largest and most famous of the Haarlem engraver's collaborations with Bartholomeus Spranger, court painter to Emperor Rudolf II in Prague. The daring composition—a bravura display of elegant twisting and turning figures—was of great importance in disseminating Spranger's Mannerist aesthetic and Goltzius's virtuoso engraving style throughout Europe. As is typical of Mannerist works, the main subjects of the scene are placed in the background: the small figures of Cupid with large wings and his bride, Psyche, the mortal beauty who is being admitted to the ranks of the gods, are at the head of the table in the center. The wedding guests surround the couple; Bacchus pours the drinks, while Apollo and the Muses serenade the company. The drawing for the print is in the Rijksmuseum, Amsterdam.
Vendor: Paul McCarron
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 11, 2000–June 25, 2000.
New Hollstein (Goltzius, part II) 312.341 ii/iv; Hollstein VIII.111.322 ii/iv
Adam von Bartsch Le peintre gravure. 1854-1876, cat. no. Bartsch.III.85.2.
Eugène Dutuit Manuel de l'amateur d'estampes. Paris, 1884-, cat. no. Dutuit.IV.453.27.
Verzeichnis des Graphischen Werks von Hendrick Goltzius 1558-1617. Leipzig, 1921, cat. no. Hirsch.142.322.
F. W. H. Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts. vols. 1-64, Amsterdam, 1954–2010, cat. no. VIII.111.322 ii/iv.
Carmen C. Bambach, Colta Ives, Nadine Orenstein, Michiel C. Plomp, Perrin Stein "Recent Acquisitions, A Selection: 1999-2000." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 58, no. 20, Fall 2000, p. 28, ill.
F. W. H. Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700. 2008, cat. no. (Goltzius, part II) 312.341 ii/iv.
Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem)Date: n.d.Medium: Pen and brown ink, red-brown wash, over black chalk, heightened with a little white gouacheAccession: 61.25.2On view in:Not on view
Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem)Date: late 16th–early 17th centuryMedium: Pen and brown ink, brush and brown wash, heightened with white over black chalk; incised. There is a doodle in pen and brown inkAccession: 1997.155On view in:Not on view
Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem)Date: late 16th–early 17th centuryMedium: Pen and brown ink, brown wash, heightened with white (slightly oxidized); brown ink framing lines; incised for transferAccession: 1992.376On view in:Not on view