Art/ Collection/ Art Object
{{img.publicCaption}}

Horse's head

Artist:
School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)
Date:
1500–1550
Medium:
Brush and brown, red, green, yellow and white gouache on paper over black chalk
Dimensions:
15 5/8 x 8 7/8 in. (39.6 x 22.5 cm)
Classification:
Drawings
Credit Line:
Gift of John W. Lisle, in memory of his father, Joseph William Lisle, 1922
Accession Number:
22.72.1
Not on view
Inscription: Annotation in pen and brown ink center of the verso of the mount;
faded annotation in pen and reddish-brown ink in lower right corner of the verso: Lot ... [?] (Lugt 3016a)

Marking: The mark of the elder Richardson is stamped on the lower center of the recto; The mark of Sir Joshua Reynolds (Lugt 2364) is stamped on the recto in the lower right corner
Jonathan Richardson Sr. (British, London 1667–1745 London); Sir Joshua Reynolds (British, Plympton 1723–1792 London); John W. Lisle
Candace J. Adelson Committenza e collezionismo medicei. Exh. cat., Palazzo Veccio, Florence. Palazzo Vecchio; Sala D'Arme, Florence, 1980, cat. no. 64, p. 45.

Nicole Dacos "Tommaso Vincidor, un elève de Raphaël aux Pays-Bas. Relations artistiques entre les Pays-Bas et l'Italie à la Renaissance: études dédiées à Suzanne Sulzberger" in Etudes d'histoire de l'Art. L'Institut Historique Belge de Rome, vol. 4, Brussels and Rome, 1980, p.82.

Hugh MacAndrew Ashmolean Museum. Oxford. Catalogue of the Collection of Drawings. Volume III. Italian Schools, Supplement. vol. 3, Oxford, 1980, mentioned under no. 599-619, Appendix 2.

Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 213, fig. no. 213, pp. 216-17, ill.

Linda Wolk-Simon, Carmen C. Bambach An Italian Journey. Drawings from the Tobey Collection: Correggio to Tiepolo. Exh. cat., The Metropolitan Museum of Art, New York (May 12 - August 15, 2010). New York, 2010, pp. 28-29, fig. 7.2 (entry by C.C. Bambach).



Related Objects

Lucretia

Artist: Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome) Date: 1508–10 Medium: Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso) Accession: 1997.153 On view in:Not on view

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)

Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) Date: 1480–85 Medium: Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) Accession: 17.142.1 On view in:The Met Floor 3

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Artist: Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome) Date: ca. 1510–11 Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) Accession: 24.197.2 On view in:Not on view

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Artist: Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher) Date: 1435–38 Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso) Accession: 1996.364a, b On view in:Not on view

The Head of the Virgin in Three-Quarter View Facing Right

Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) Date: 1510–1513 Medium: Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo) Accession: 51.90 On view in:Not on view