Art/ Collection/ Art Object

A Large Tree

Artist:
Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)
Date:
1615–73
Medium:
Pen and brown ink, on brown paper
Dimensions:
24 3/16 x 16 7/16in. (61.5 x 41.8cm)
Classification:
Drawings
Credit Line:
Rogers Fund, 1911
Accession Number:
11.66.7
Not on view
Of his myriad achievements as an artist and man of letters, the brilliant and moody Salvator Rosa's contributions to the increasingly popular genre of landscape in the seventeenth century loom large. This spirited drawing of a towering, gnarled tree, its dense matrix of branches and leaves rendered in careful detail, is exceptional not only for its monumental scale but also for its exclusive focus on a single specimen: divorced from any narrative context, the tree is also isolated from a broader landscape-the arboreal equivalent of a solitary, standing figure.

An early work by Rosa, the drawing is iconic of his lifelong fascination with the haunting power and majesty of landscape. While it may well have been executed with no particular purpose in mind, a possible function, though conjectural, is worth considering: one of Rosa's most accomplished and masterful etchings, The Rescue of the Infant Oedipus, is a technical tour de force due to the manner in which the artist drew the massive, towering tree that dominates the composition directly onto the plate, without the intermediate step of a preparatory drawing. Studies such as A Large Tree may well have been the vehicle through which the artist mastered the complex tree morphology, allowing him to achieve what seemed to be an effortless bravura when it came time to etch the plate.
Signature: Signed, Rosa f.
Lord Ronald Charles Sutherland Leveson Gower (British, London 1845–1916 Kent (?)); Robert Langton Douglas (British, London 1864–1951)
The Metropolitan Museum of Art. "17th Century Italian Drawings in The Metropolitan Museum of Art," 1979.

The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 8, 2008–April 13, 2008.

Marcel Roethlisberger Claude Lorrain, The Drawings. Berkley and Los Angeles, 1968, p. 156.

Marcel G. Röthlisberger Claude Lorrain: The Drawings. 2 vols., Berkeley and Los Angeles, 1968, p. 156.

Michael Mahoney The Drawings of Salvator Rosa. vols. 1, 2, New York and London, 1977, cat. no. Vol. 1, no. 23.5, fig. no. Vol. 2,fig. 23.5, Vol. 1, p. 285.

Jacob Bean, Lawrence Turčić 17th century Italian Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1979, cat. no. 324, fig. no. 324, pp. 244-45, ill.



Related Objects

The Prodigal Son

Artist: imitator of Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Date: 1615–73 Medium: Gray, black and brown wash, black and white chalk Accession: 1994.536.1 On view in:Not on view

Study for a Judgment of Paris and Other Figure Studies

Artist: Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Date: 1615–73 Medium: Pen and brown ink, over black chalk Accession: 1983.430 On view in:Not on view

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)

Artist: Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Date: 1615–73 Medium: Pen, brown ink and lead graphite Accession: 17.236.41 On view in:Not on view

An Apparition

Artist: Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Date: 1615–73 Medium: Pen and brown ink, lightly washed Accession: 80.3.159 On view in:Not on view

Two Standing Soldiers and Six other Figures

Artist: Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Date: 1615–73 Medium: Pen and brown ink Accession: 1970.101.14 On view in:Not on view