Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)
Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
11-1/2 x 7-5/8 in. (29.2 x 19.4 cm)
Harry G. Sperling Fund, 1976
Not on view
Christina, Queen of Sweden (Swedish, 1626–1689)(?); Decio Cardinal Azzolini; Marchese Pompeo Azzolini; Prince Livio Odescalchi (Rome); Prince Ladislao Odescalchi(first drawing in Odescalchi Album A)(according to Mahoney); Galerie Bassenge (Berlin)
The Metropolitan Museum of Art. "17th Century Italian Drawings in The Metropolitan Museum of Art," 1979.
Michael Mahoney "Salvator Rosa Provenance Studies: Prince Livio Odescalchi and Queen Christina." in Master Drawings. vol. 3, no. 4, 1965, pp. 383-389.
Luigi Salerno "Il dissenso nella pittura. Intorno a Filippo Napoletano, Caroselli, Salvatore Rosa e altri." in Storia dell'arte. vol. 5, 1970, fig. no. fig. 62.
Jacob Bean (but catalogue not signed), The Metropolitan Museum of Art Roman Artists of the 17th Century: Drawings and Prints. Exh. cat., The Metropolitan Museum of Art. New York, 1976, n.p.
Jacob Bean "Departmental Accessions: Drawings." in Annual Report of the Trustees of The Metropolitan Museum of Art, July 1, 1976 - June 30, 1977. The Metropolitan Museum of Art, no. 107, New York, 1977, p. 45.
Michael Mahoney The Drawings of Salvator Rosa. vols. 1, 2, New York and London, 1977, cat. no. Vol.1, no. 70.16, fig. no. Vol.2, fig.70.16, Vol. 1, p. 625.
Jacob Bean, Lawrence Turčić 17th century Italian Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1979, cat. no. 338, fig. no. 338, pp. 253-56, ill.