Art/ Collection/ Art Object
{{img.publicCaption}}

Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso)

Artist:
Circle of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua)
Date:
1484–1500
Medium:
Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Dimensions:
8 1/4 x 5 9/16in. (21 x 14.2cm)
Classification:
Drawings
Credit Line:
Rogers Fund, 1906
Accession Number:
06.1051.6
Not on view
Inscription: Annotated in pen and brown ink with the "Resta-Somers" mark close to the lower right: "g. 52." Annotated on lower border of mount in the hand of Jonathan Richardson, Sr.: "Mantegna"; and in graphite: "A young Man sitting." Annotated along the top of the verso of the mount in pen and brown ink also by Richardson with shelf numbering: "C. 57." Annotated in pen and brown in on a fragment of paper that was removed from the verso of the Richardson mount (preserved in "Object File," Department of Drawings and Prints): "at Mr. Wadmore's Sale May 8.1854."

(Carmen C. Bambach, revised June 7, 2004)
Padre Sebastiano Resta (Italian, Milan 1635–1714 Rome); Monsignor Giovanni Mattei Marchetti (Italian, Bishop of Arezzo, reigned 1691–1704); Cavaliere Marchetti of Pistoia; Lord John Somers (British, Worcester 1650–1716); Jonathan Richardson Sr. (British, London 1667–1745 London)(1665-1745), LondonDrawing probably glued on to old Richardson mount.; James Wadmore (British, 1782–1853); Wadmore Sale, Christie's, London, May 8-10, 1854, according to old inscription.; P. & D. Colnaghi & Co.
Walter Mehring European Drawings from the Collections of The Metropolitan Museum of Art: A Portfolio of Collotype Reproductions [Vol. 1: Italian Drawings; Vol. 2: Flemish, Dutch, German, Spanish, French, and British drawings; Vol. 3: "New Series": Italian, Flemish, Dutch, German, Spanish, French, and British drawings]. The Metropolitan Museum of Art, 3 vols., New York, 1942–44, cat. no. 3 (vol.1), fig. no. 3, ill.

Winslow Ames Great Drawings of All Time. Volume I: Italian, Thirteenth through Nineteenth Century. Edited by Ira Moskowitz, vol. 1, New York, 1962, cat. no. 67, fig. no. 67.

Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 127, fig. no. 127, pp. 135-36, ill.



Related Objects

Triumph of Julius Caesar.

Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) Date: 1431–1506 Medium: Pen and brown ink Accession: 80.3.189 On view in:Not on view

Design of Rinceaux.

Artist: Ascribed to Circle of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) (?) Date: 1470–1510 Medium: Pen and brown ink, over traces of construction lines in black chalk or lead point Accession: 66.248 On view in:Not on view

Hercules and the Hydra

Artist: School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) Date: n.d. Medium: Engraving Accession: 25.2.34 On view in:Not on view

The Virgin and Child

Artist: Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) Date: ca. 1485–91 Medium: Engraving Accession: 52.535 On view in:Not on view

Triumph of Caesar: The Corselet Bearers

Artist: School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua) Date: ca. 1490 Medium: Engraving Accession: 47.100.698 On view in:Not on view