Art/ Collection/ Collection/ Art Object

Plate 4: five grotesque heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)

Series/Portfolio:
'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques)
Artist:
Stefano della Bella (Italian, Florence 1610–1664 Florence)
Publisher:
François Collignon (French, Nancy ca. 1610–1687 Rome)
Date:
ca. 1642–43
Medium:
Etching
Dimensions:
Sheet: 2 3/16 × 4 1/8 in. (5.5 × 10.4 cm)
Classifications:
Prints, Ornament & Architecture
Credit Line:
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
Accession Number:
52.570.222
Not on view
Marking: On recto at left: Partial stamp in purple ink (Lugt 47a, as can be reconstructed from the examples of the stamp when whole) of the Duke of Savoia-Genova, probably to be identified with Tommaso Alberto Vittorio di Savoia-Genova (1854-1931).
Duke of Savoia-Genova, probably to be identified with Tommaso Alberto Vittorio di Savoia-Genova (Italian, Turin 1854–1931 Turin); Vendor: János Scholz (American (born Hungary), Sopron 1903–1993 New York)
De Vesme/Massar 153.982
Alexandre de Vesme, Phyllis D. Massar Stefano della Bella. Catalogue Raisonné. New York, 1971, cat. no. 153.982.

János Scholz Italian Master Drawings 1350-1800 from the Janos Scholz Collection. New York, 1976, p. ix (discussing generally the group of 312 drawings at the Metropolitan Museum of Art that includes the present drawing, all as emanating from the Royal House of Savoy and as having been sold to Scholz about 1952 by a dealer.).

Piera Giovanna Tordella Il collezionismo dei disegni a Torino e in Piemonte da Emanuele Filiberto all'età napoleonica. "...quei leggierissimi tocchi di penna o matita..." Le prime collezioni di disegni in Piemonte. Ed. by Gianni Carlo Sciolla, Milan and Regione Piemonte, 1996, pp. 25-26 and note 66 (quoting Scholz's recollection and noting the Turinese provenance of some drawings in the Metropolitan Museum of Art.).



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