Art/ Collection/ Collection/ Art Object

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome

Series/Portfolio:
Speculum Romanae Magnificentiae
Artist:
Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)
Artist:
After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?))
Publisher:
Antonio Salamanca (Salamanca 1478–1562 Rome)
Date:
ca. 1500–34
Medium:
Engraving
Dimensions:
sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm)
Classification:
Prints
Credit Line:
Rogers Fund, Transferred from the Library, 1941
Accession Number:
41.72(2.119)
Not on view
This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus.

The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).

Originally volume 2, plate 119 in the scrapbook.
Inscription: At bottom left: Ant. Sal. exc
At lower right: M

Marking: On verso at center: The Metropolitan Museum of Art stamp
H. P. Kraus
Bartsch XIV.275.361; Delaborde 192; copy; Quaritch catalogue 236
Clay Dean, Theresa Fairbanks, Lisa Pon, Yale University Art Gallery Changing Impressions: Marcantonio Raimondi and Sixteenth-Century Print Connoisseurship. Exh. cat. Yale University Art Gallery, New Haven, December 14, 1999 - February 13, 2000, cat. no. 28 & 29, pp. 78 & 79.

Peter Parshall "Antonio' Lafreri's 'Speculum Romanae Magnificentiae'" Print Quarterly. 1, London, 2006.



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