Art/ Collection/ Art Object
{{img.publicCaption}}

Drawing for Engraving in Raccolta di Vari Schizzi, Venice, 1747, After Angelo Rosis.

Artist:
Antonio Maria Visentini (Italian, Venice 1688–1782 Venice)
Date:
ca. 1747
Medium:
Pen and light and dark brown ink, over faint traces of graphite underdrawing; framing outline in graphite
Dimensions:
sheet: 13 1/2 x 9 9/16 in. (34.3 x 24.3 cm)
Classifications:
Drawings, Ornament & Architecture
Credit Line:
Purchase, Harris Brisbane Dick Fund and Joseph Pulitzer Bequest, 1971
Accession Number:
1971.513.34
Not on view
Related Objects

Isolario Veneto

Artist: Antonio Maria Visentini (Italian, Venice 1688–1782 Venice) Date: ca. 1700–1800 Medium: Etching Accession: 1983.1216.44(1-24) On view in:Not on view

Ionic Colonnade (6 Columns) on Rusticated Base

Artist: Antonio Maria Visentini (Italian, Venice 1688–1782 Venice) Date: 1688–1782 Medium: Drawings Accession: 63.611.31 On view in:Not on view

Entrance Portal: Plan and Elevation, Each Pier Consisting of Two Pilasters

Artist: Attributed to Antonio Maria Visentini (Italian, Venice 1688–1782 Venice) Date: 1688–1782 Medium: Drawings Accession: 63.611.30 On view in:Not on view

Elevation of Column of Antoninus Pius and Elevation of Column of Trajan

Artist: Antonio Maria Visentini (Italian, Venice 1688–1782 Venice) Date: 1688–1782 Medium: Pen and brown ink, brush and grey wash, over traces of ruling in graphite Accession: 60.632.26 On view in:Not on view

Osservazioni di Antonio Visentini Architetto Veneto che servono di continuazione al Trattato di Teofilo Gallacini sopra gli errori degli architetti

Artist: Antonio Maria Visentini (Italian, Venice 1688–1782 Venice) Date: 1767, 1771 Medium: Printed books with etched illustrations Accession: 42.55.2(1–2) On view in:Not on view