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Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates

Author:
Thomas Hood (British, London 1799–1845 London)
Author:
The Junior Etching Club (British, 19th century)
Etcher:
Frederick Bacon Barwell (British, active 1855–ca. 1897)
Dedicatee:
Frances Freeling Broderip (British, Middlesex 1830–1878 Somerset)
Etcher:
J. Mulcaster Carrick (British, born Carlisle, Cumbria 1833, active to 1888)
Etcher:
J. Clark (British, active mid- to late 19th century)
Etcher:
Gerald Fitzgerald (Irish, 1821–1886)
Etcher:
William Gale (British, London 1823–1909)
Etcher:
Michael Frederick Halliday (British, baptised Epsom, Surrey 1822–1869 London)
Etcher:
Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London)
Etcher:
William Coutts Keppel, 7th Earl of Albemarle (British, London 1832–1894 Barnes, Surrey)
Etcher:
Arthur James Lewis (British, 1824–1901)
Etcher:
John Dalbiac Luard (British, Kirton in Lindsey, North Lincolnshire 1830–1860 Wiltshire)
Etcher:
Henry Stacy Marks (British, London 1829–1898 London)
Etcher:
Sir John Everett Millais (British, Southampton 1829–1896 London)
Etcher:
Henry Moore (British, York 1831–1895 Margate, Kent)
Etcher:
John Wright Oakes (British, Cheshire 1820–1887 Kensington, London)
Etcher:
Francis Powell (British, 1833–1914)
Etcher:
Charles Rossiter (British, 1827–ca. 1890)
Etcher:
Walter Severn (British, Frascati, Italy 1830–1904 London)
Etcher:
John Sleigh (British, active 1841–72)
Etcher:
Frederick Smallfield (British, 1829–1915)
Etcher:
Simeon Solomon (British, London 1840–1905 London)
Etcher:
Sir John Tenniel (British, London 1820–1914 London)
Etcher:
Henry Clarence Whaite (British, 1828–1912)
Publisher:
E. Gambart & Co. (London)
Printer:
Cox and Wyman (London)
Date:
1858
Medium:
Illustrations: etching
Dimensions:
15 1/8 x 11 3/16 x 1 in. (38.4 x 28.4 x 2.5 cm)
Classification:
Books
Credit Line:
Gift of Howard Mansfield, 1926
Accession Number:
26.12.3
Not on view
Donor: Howard Mansfield
White 1903, p. 157.
Wilfred Hugh Chesson, Joseph Pennell The Work of Charles Keene, with an introduction and comments on the drawings illustrating the artist's methods by Joseph Pennell, to which is added a list of books Keene illustrated and a catalogue of his etchings by W. H. Chesson. London, 1897, p. 278 in List of Books: 1858, and no. 33, p. 278.

Allen Staley The Post-Pre-Raphaelite Print: etching, illustration, reproductive engraving, and photography in England in and around the 1860s. Ex. cat., Miriam & Ira D. Wallach Art Gallery, Columbia University. New York, 1995, J. E. Millais's, The Bridge of Sighs, etching, illustrated, cat. no. 71, pp. 123-4.

Gregory R. Suriano The Pre-Raphaelite Illustrators: The Published Graphic Art of the English Pre-Raphaelites and Their Associates. Oak Knoll Press, 2000, pp. 18 (volume), 129, 133 (Marks), 138, 161 (Millais), 240, 245 (Solomon), 305-6 (Smallfield), 307 (Tenniel), ill.



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