Recto: Virgin and Child, and Saint John the Baptist; Verso: summary sketches, possibly the Virgin and Child
Attributed to Jacob de Backer (Netherlandish, Antwerp ca. 1540/1545–before 1600 Antwerp)
Pomarancio (Cristoforo Roncalli) (Italian, Pomarance ca. 1553–1626 Rome)
late 16th century
Brown and black oil with white heightening; verso: black chalk
11 5/8 x 9 1/16 in. (29.5 x 23 cm)
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2002
Not on view
Inscription: On the back of the original panel support was written: B.T.
collection at Ca'n Puig y Castillo de Bendinat, Mallorca; its sale, Christie's, Mallorca, May 24-25, 1999, lot 680,(as by Cristoforo Roncalli); sale, Tajan, Paris, November 23, 2001, lot 63; Vendor: Katrin Bellinger Kunsthandel, Munich
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 12, 2010–July 11, 2010.
Christie's, Mallorca Ca'n Puig y Castillo de Bendinat, Mallorca. Sale cat. May 24-25, 1999, cat. no. 680, ill.
Tajan Dessins Anciens. Paris, November 23, 2001, cat. no. 63, ill.
Eckhard Leuschner "A Grisaille Oil Sketch from the "De Backer Group" and Workshop Practices in Sixteenth-Century Antwerp." in The Metropolitan Museum Journal. The Metropolitan Museum of Art, vol. 43, New York, 2008, p. 99-110, fig. 1, ill.
Artist: Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise)Date: September 1889Medium: Oil color and essence over black chalk on pink laid ("Ingres") paperAccession: 48.190.2On view in:Not on view
Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague)Date: ca. 1580–1585Medium: Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pinkAccession: 1997.93On view in:Not on view
Artist: Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam)Date: 1650–55Medium: Black chalk; brush and gray wash; gouache; framing lines in pen and brown ink.Accession: 1995.196On view in:Not on view
Artist: Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42 Brussels)Date: 1530–35Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the rectoAccession: 1995.12On view in:Not on view