Art/ Collection/ Art Object

Armor with Matching Shaffron and Saddle Plates

ca. 1600
Italian, Milan
Steel, copper alloy, silver, gold, leather, textile
H. 62 5/8 in. (159.1 cm); Wt. 42 lb. 6 oz. (19.25 kg); 38.148.1m; H. 22 in. (55.9 cm); W. 11 1/2 in. (29.2 cm); 38.148.1n; H. 8 in. (20.3 cm); W. 12 1/4 in. (31.1 cm)
Armor for Man
Credit Line:
Fletcher Fund, 1938
Accession Number:
On view at The Met Fifth Avenue in Gallery 374
This exceptionally well-preserved armor was made for an adolescent or a small adult who was undoubtedly a member of an important noble family. It belongs to a select group of Milanese armors made between 1590 and 1610, in which etched decoration was abandoned in favor of engraving, punching, gilding, and damascening. This armor demonstrates the high standard maintained by the best northern Italian armorers at the turn of the seventeenth century.

It is the form worn by heavy cavalry throughout the sixteenth century, in which the wearer is covered from head to foot, and a lance rest is attached to the right side of the breastplate. Around 1600, however, lance-bearing heavy cavarly was being replaced by cuirassiers, heavy cavalry who were armored only to the knees and carried pistols and a sword. Features found here that are typical of the new cuirassier's armor are the close helmet with barred visor and falling buffe (face defense), the closed elbow joints, and the deep cult (skirt) attached the backplate.
Ex. coll.: Prince Khevenhüller, Castle Hoch-Osterwitz, Carinthia, Austria; Giech family, Castle Thurnau, near Bayreuth; William Randolph Hearst.
Los Angeles. Los Angeles County Museum of Art. "Hearst the Collector," November 9, 2008–February 1, 2009.

Grancsay, Stephen V., and Brooklyn Museum. Loan Exhibition of European Arms and Armor. Brooklyn: Brooklyn Museum, June–August 1933. p. 6, no. 12.

Nickel, Helmut. "Arms and Armor from the Permanent Collection." The Metropolitan Museum of Art Bulletin 49, no. 1 (Summer 1991). pp. 28–29, 64, ill.

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