Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Drypoint; eighth state of eight
Sheet: 14 x 17 15/16 in. (35.6 x 45.5 cm)
Gift of Felix M. Warburg and his family, 1941
Not on view
Rembrandt treated this large drypoint almost as a painting, making marked changes to the composition as he reconceived the scene over and over. In the sixth state of the print, he removed much of the original crowd that stood directly below the main event and replaced it with two brick arches over an unidentified chasm. Between the arches he also added a sculpted male figure, lightly covered over in this, the final, state. The iconographic significance of these changes remains a mystery, but compositionally they serve to thrust the viewer into direct confrontation with Christ's fate.
Felix M. Warburg family; Donor: Felix Moritz Warburg, and his family
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 5, 1993–July 12, 1993.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," August 21, 1995–November 26, 1995.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," July 15, 2002–October 6, 2002.
Saint Louis Art Museum. "Rembrandt in St. Louis," October 20, 2006–January 14, 2007.
Hind 271; Bartsch 76 state VIII; NH(Rembrandt).II.254.290 viii
William M. Ivins Jr. "Prints by Six Masters from the Warburg and Other Collections." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 36, no. 2, New York, February 1941, p. 48.