Art/ Collection/ Art Object
{{img.publicCaption}}

The Concert

Artist:
Antoine Jean Duclos (French, Paris 1742–1795 Paris)
Artist:
After Augustin de Saint-Aubin (French, Paris 1736–1807 Paris)
Date:
1774
Medium:
Etching and engraving; first state of three (Bocher)
Dimensions:
sheet: 11 1/8 x 16 7/16 in. (28.3 x 41.8 cm)
Classification:
Prints
Credit Line:
Harris Brisbane Dick Fund, 1933
Accession Number:
33.56.34
Not on view
Marking: On verso at lower left: The Metropolitan Museum of Art stamp
On verso at lower left in graphite: Mühlbach Coll.
Vendor: P. & D. Colnaghi & Co.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," February 8, 1999–May 3, 1999.

Bocher 126.403(A) i/iii
Related Objects

Vignette, Volume IV, Canto XXVII, Page 123, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

Artist: Antoine Jean Duclos (French, Paris 1742–1795 Paris) Date: 1773–74 Medium: Etching and engraving; third state of six (Bocher) Accession: 64.542.231 On view in:Not on view

The three graces standing together, naked, after Polidoro da Caravaggio

Artist: Antoine Jean Duclos (French, Paris 1742–1795 Paris) Date: ca. 1762–95 Medium: Etching Accession: 60.622.27 On view in:Not on view

Arrival of Telemachus at the Island of Calypso

Artist: Etched by Antoine Jean Duclos (French, Paris 1742–1795 Paris) Medium: Etching and Engraving Accession: 53.600.1078 On view in:Not on view

The Concert

Artist: Antoine Jean Duclos (French, Paris 1742–1795 Paris) Date: 1774 Medium: Etching; before first state of three (Bocher) Accession: 40.34.2 On view in:Not on view

Le Bal Paré

Artist: Antoine Jean Duclos (French, Paris 1742–1795 Paris) Date: 1774 Medium: Etched proof; first state of four (Bocher) Accession: 40.34.1 On view in:Not on view