Art/ Collection/ Art Object

清 葉欣 白鶴嶺圖 冊頁
White Crane Mountain

Ye Xin (Chinese, active ca. 1640–1673)
Qing dynasty (1644–1911)
datable to 1654–55
Leaf from a collective album of many leaves; ink and color on paper
9 3/4 x 13 in. (24.8 x 33 cm)
Credit Line:
Seymour Fund, 1964
Accession Number:
Not on view
This painting and its accompanying inscription belonged to an album made for the noted Nanjing collector and high official Zhou Lianggong (1612–1672). A leading patron of contemporary artists, Zhou assembled a number of these albums during the last twenty-five years of his life, when his career required him to travel extensively. Such collaborative works have long been a means for a group of artists to commemorate special occasions, but Zhou’s albums, which sometimes encompassed hundreds of contributions, fulfilled a different function: they included works by professionals and scholar-amateurs, Ming loyalists and Qing officials, traditionalist orthodox painters and innovative individualists. By inviting a wide spectrum of artists to both view and contribute to these albums, Zhou created a unique forum for artists to learn from and appraise one another’s productions.
Inscription: No artist’s inscription or signatureArtist’s seal

Rongmu 榮木


1. Qin Quan 秦銓 (17th c.), 6 columns in standard script, undated; 1 seal:

山林窅冥,海水汨沒,移情之妙不在聲也。試從精神寂莫時展眎此卷,已覺一聲已動,四座無言。秦銓觀。 [印]: 字存古

2. Zhang Xuezeng 張學曾 (fl. 1633–1656), 3 columns in semi-cursive script, undated; 1 seal:

此閩中白鶴嶺景,戚少保提師破倭處也。元老年翁曾官於閩,為言其勝,而榮木圖之,令人神為之往。張尒唯題。 [印]: 爾唯
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