Art/ Collection/ Art Object
{{img.publicCaption}}

Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.)

Series/Portfolio:
The Disasters of War
Artist:
Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
1810–20, published 1863
Medium:
Etching, burnished lavis, drypoint and burin
Dimensions:
Plate: 5 11/16 × 8 1/4 in. (14.5 × 21 cm) Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm)
Classification:
Prints
Credit Line:
Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922
Accession Number:
22.60.25(26)
Not on view
After Napoleon's invasion of Spain in 1807 and 1808 brought about the abdication of the Spanish king, violent protests against the French erupted in Madrid. The uprising of May 2, 1808, marked the start of the armed Spanish resistance, which dragged on in guerrilla warfare until 1814. During the war, Goya documented his horror and outrage at the atrocities committed by soldiers and patriots in his series of 80 prints 'The Disasters of War'. Never before had a story of man's inhumanity been told so compellingly, every episode reported with compassion, honesty and respect for the victims. Not until 1863, thirty-five years after Goya's death, was the first of seven posthumous editions of the Disasters published by Spain's Royal Academy, which in 1862 purchased all eighty etched copperplates.
Inscription: Lettered on plate with number '26' and title 'No se puede mirar.'
Jacob H. Schiff; Donor: Jacob H. Schiff
Harris 146.III.1 (first edition); Blas & Matilla 2000, cat.no. 26
Le Peintre-Graveur Illustré (XIXe et XXe siècles). vol. 15, Paris, 1922.

Tomás Harris Goya: Engravings and Lithographs Vol. I: Text and Illustrations; Vol.II: Catalogue Raisonné. Oxford, 1964.

Colta Ives, Susan Alyson Stein Goya in the Metropolitan Museum of Art. Exh. cat., September 12 - December 31. The Metropolitan Museum of Art, New York, 1995, fig. no. 14, p. 25, ill.

José Manuel Matilla, Javier Blas El libro de los Desastres de la Guerra Vol. 1: Coincidencias y discrepancias en torno a los Desastres. El proceso de creación gráfica: dibujos, pruebas de estado y Album de Ceán. Volume II: Elenco de referencias críticas. La difusión de la imágenes: láminas de cobre ... Madrid, 2000.



Related Objects

Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid

Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: 1816 Medium: Etching, burnished aquatint, drypoint and burin Accession: 16.4.2 On view in:Not on view

Print

Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: 1816 Medium: Etching and aquatint Accession: 16.4.3 On view in:Not on view

Plate 8 from the 'Tauromaquia':A Moor Caught by the Bull in the ring.

Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: 1816 Medium: Etching, burnished aquatint and drypoint Accession: 16.4.4 On view in:Not on view

Nightmare; Witches and Old Women; Album (D), page 20

Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: ca. 1819–23 Medium: Brush, black ink, and wash on Netherlandish laid paper Accession: 19.27 On view in:Not on view

Plate 36 from 'Los Caprichos: A bad night (Mala noche.)

Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) Date: ca. 1797–99 Medium: Etching and burnished aquatint Accession: 16.4.6 On view in:Not on view