Art/ Collection/ Art Object
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Mont Sainte-Victoire

Artist:
Attributed to Émile Bernard (French, Lille 1868–1941 Paris)
Former Attribution:
Formerly attributed to Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)
Date:
1936
Medium:
Watercolor on heavy wove paper
Dimensions:
sheet: 12 15/16 x 10 in. (32.8 x 25.4 cm)
Classification:
Drawings
Credit Line:
The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002
Accession Number:
2003.20.4
Not on view
Inscription: On verso, in two tones of brown ink: 'annee 1904 / [word(s) rubbed out] de Paul Cezanne / Emile Bernard / mars 1936'; on verso, in blue-gray ink: 'Cette aquarelle de Paul Cezanne a appartenu à la collection de mon / père le peintre Emile Bernard / Michel-Ange Bernard'
Émile Bernard (French, Lille 1868–1941 Paris)(until d. 1941); Michel-Ange Bernard-Fort; sold in 1953 to Wildenstein; Wildenstein & Co., Inc. (New York), 1953-55; sold 1955 to Annenberg; Walter H. and Leonore Annenberg, Rancho Mirage,CA (1955–his d. 2002; bequest to MMA); Donor: Walter H. and Leonore Annenberg
Philadelphia Museum of Art. "Summer Loan Collections," June 19, 1963–September 15, 1963.

Tate Gallery. "The Annenberg Collection," September 2, 1969–October 8, 1969.

Philadelphia Museum of Art. "Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection," May 21, 1989–September 17, 1989.

National Gallery of Art, Washington D.C. "Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection," May 6, 1990–August 5, 1990.

Los Angeles County Museum of Art. "Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection," August 16, 1990–November 15, 1990.

The Metropolitan Museum of Art. "Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection," June 4, 1991–October 13, 1991.

"Lettres inédites du peintre Emile Bernard à sa femme à propos de la mort de son ami Paul Cézanne" Arts-documents. vol. 33, Geneva, June, 1953, p. 13.

François Daulte Le Dessin français de Manet à Cézanne. Lausanne, 1954, fig. no. 46, p. 66, ill.

M. Roy Fisher, Walter H. and Leonore Annenberg, Tate Britain Tate Gallery The Annenberg Collection. Tate Britain Tate Gallery, London, 1969, cat. no. no. 8.

Colin B. Bailey, Joseph J. Rishel, Mark Rosenthal Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Ex. cat. Philadelphia Museum of Art, Philadelphia, 1989, pp. 84-85; 180, ill.

Dr. Joseph J. Rishel Joseph J. Rishel, Colin B. Bailey Colin B. Bailey, Dr. Joseph J. Rishel Joseph J. Rishel, Mark Rosenthal Mark Rosenthal, Walter H. and Leonore Annenberg, Philadelphia Museum of Art Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Philadelphia Museum of Art, 2nd rev. ed. [1st ed., 1989]. Philadelphia, 1991, p. 86–87, 186, ill. (color and black and white).

Susan Alyson Stein, Colin B. Bailey, Mark Rosenthal The Annenberg Collection: Masterpeices of Impressionism and Post-Impressionism. Asher Ethan Miller, The Metropolitan Museum of Art, New Edition. New York, 2009, pp. 290-91 (ill., ill.



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