Art/ Collection/ Collection/ Art Object

Entombment

Artist:
Guido Reni (Italian, Bologna 1575–1642 Bologna)
Artist:
After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore)
Date:
ca. 1595–1600
Medium:
Etching
Dimensions:
Sheet: 10 7/16 in. × 8 in. (26.5 × 20.3 cm)
Classification:
Prints
Credit Line:
Harris Brisbane Dick Fund, 1927
Accession Number:
27.78.2(292)
Not on view
In the Mariette Album, folio 4b (left). Not described by Bartsch, the print was recognized by Zani as being Guido Reni's copy of Parmigianino's print, an attribution accepted by Birke. Mariette, former owner of this impression, did not think it was by Reni, and wrote on its verso 'je crois que d'apres cette estampe que Le Guide a grave la sienne qui est a mon avis encor plus belle et tournee a gauche'. Following Oberhuber most scholars now accept that Parmigianino made two versions of this deisgn (B.XVI.8.5 and B.XVIII.300.46), one of which (B.XVIII.300.46) was formerly attributed to Reni
Inscription: Inscribed by Mariette on the verso in pen and ink: 'Mariette 1733 / je crois que c'est d'apres cette estampe que Le Guide a grave la sienne qui est a mon avis encor plus belle et tournee a gauche'
Jean Mariette (French, Saint Benoît 1660–1742 Paris); Pierre Jean Mariette (French, Paris 1694–1774 Paris)
Zani Part 2.VIII.242.copy A; TIB.40 (Commentary).4005.001 S1; Gnann 2007 no. 5
abate Pietro Zani Enciclopedia metodica critico-rationata delle belle arti. 1817-1824.

TIB The Illustrated Bartsch - Commentary Volumes. 1978–.

Achim Gnann Parmigianino und sein Kreis Druckgraphik aus der Sammlung Baselitz. Munich, 2007.



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