After (?) Battista Franco (Italian, Venice ca. 1510–1561 Venice)
Formerly attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara)
Ferrando Bertelli (active Venice, 1561–71)
sheet: 19 5/16 x 11 7/16 in. (49 x 29 cm)
plate: 16 3/8 x 13 9/16 in. (41.6 x 34.5 cm)
Rogers Fund, Transferred from the Library, 1941
Not on view
This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus.
The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).
Originally volume 2, plate 57 in the scrapbook.
Inscription: At lower left: SE RAPITA LASCIAI VERDVRE ET FIORI / REGINA HOR GODO, ET PIENE ANCO LE MANI / LIETA NE TENGO DI PIV GRATI ODORI At lower right: Ferrando Berteli excudebat
Marking: On verso at center: The Metropolitan Museum of Art
H. P. Kraus
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 12, 2009–April 12, 2009.
Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)Date: 16th centuryMedium: Pen and brown ink, brush and brown wash, over black chalk on cream paperAccession: 80.3.101On view in:Not on view
Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)Date: 16th centuryMedium: Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Fragments of framing outlines in brown ink along top, right, and bottom edgesAccession: 80.3.108On view in:Not on view
Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580)Date: 16th centuryMedium: Pen and brown ink, brush and gray wash over black chalk on cream paper. Fragmentary ruled framing outline in brown ink along top, left and bottom edgesAccession: 80.3.75On view in:Not on view