Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"
Tōshūsai Sharaku (Japanese, active 1794–95)
Edo period (1615–1868)
Polychrome woodblock print; ink, color, white mica on paper
H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm)
Harris Brisbane Dick Fund and Rogers Fund, 1949
Not on view
Female roles in Kabuki theater were acted by oyama or onnagata, men who specialized in female impersonation. The skill and ambiguous dual status of such performers were a source of great fascination to the Kabuki audience. Here, for example, the clothing, coiffure, and gesture of the male actor epitomize those of a fashionable and beautiful woman. Indeed, in his imitation of a woman's gesture, the actor tugs at his garment with a sinuous feminine panache more exaggerated than real. Yet, reflecting the contradictory status of the actor, Sharaku has subtly confirmed the distinctively male squareness of Segawa Tomisaburō II's jawline.
One of the means by which Sharaku gave his portraits of Kabuki actors great force was the sharp contrast between the figure and the monochrome background. This monochrome consisted of a layer of deep indigo blue ink onto which silver mica dust was sprinkled. As this print demonstrates, the lush background set off the colors of the face and kimono to great effect.
Signature: Oban; Toshusai Sharaku ga
Inscription: Handwritten inscription gives the name of the actor; date 1794, 5th month.
Artist: After Tōshūsai Sharaku (Japanese, active 1794–95)Date: Probably late 1880s or early 1890sMedium: Polychrome woodblock print; ink and color on paper with mica groundAccession: JP734On view in:Not on view