Maitreya, the messianic bodhisattva characterized as the Buddha of the Future, stands in a graciously exaggerated posture, the body beautifully counterbalanced. He holds his raised hand in the gesture of exposition (vitarka mudra) and in his lowered hand displays a flask (kamandalu) universally understood in South Asian culture as the container of amrta, the elixir of life. In a Buddhist setting, the flask is understood as the promise of Maitreya’s coming. The elegant aesthetics of this sculpture embody contemporary eastern Indian Pala styles, yet it displays a startling elegance combined with an almost austere economy of surface decoration: jewelry is restrained, textile patterns minimally suggested. The scale is exceptional, as is the aesthetic sensibility of the artist responsible for this work.
[ Doris Wiener Gallery , New York, by 1969, sold to Heeramaneck] ; [ Alice N. Heeramaneck , New York, by 1972 until 1973, sold to Humann] ; Christian Humann , New York , New York (1973 until d. in 1981, estate sale by Ellsworth to MMA); [ R. H. Ellsworth Ltd. , New York, 1982, sold to MMA]
Grand Palais, Paris. "Visions du futur: une histoire des peurs et des espoirs de l'humanité," October 3, 2000–January 1, 2001.
New York. The Metropolitan Museum of Art. "Art of the Himalayas," December 15, 2010–December 4, 2011.