Art/ Collection/ Art Object
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元 張羽材 霖雨圖 卷
Beneficent Rain

Artist:
Zhang Yucai (Chinese, died 1316)
Period:
Yuan dynasty (1271–1368)
Date:
late 13th–early 14th century
Culture:
China
Medium:
Handscroll; ink on silk
Dimensions:
Image: 10 9/16 x 107 in. (26.8 x 271.8 cm) Overall with mounting: 11 in. x 24 ft. 11 13/16 in. (27.9 x 753.9 cm)
Classification:
Paintings
Credit Line:
Gift of Douglas Dillon, 1985
Accession Number:
1985.227.2
Not on view
Zhang Yucai, the thirty-eighth pope of the Zhengyi ("Orthodox Unity") Daoist church, lived at Mount Longhu (Dragon Tiger Mountain) in Jiangxi Province. A favorite of the Yuan emperors, he received commendation from the Mongol court for inducing needed rain and for subduing a "tide monster" that had plagued the eastern seacoast.

Dragons, as symbols of nature's elemental forces, have been depicted in Chinese art from time immemorial. A special genre, dragon paintings were given powerful treatment by such Southern Song masters as Chen Rong (act. ca. 1235-62) and the Chan Buddhist painter Muqi (act. ca. 1240-75). In a fourteenth-century account, Chen's working methods are described as follows: He "makes clouds by splashing ink, creates vapor by spraying water, and, while drunk, shouting loudly, takes off his cap, soaks it in ink, and smears and rubs with it, before finishing the painting with a brush."

On Chen Rong's celebrated Nine Dragons handscroll dated 1244, in the Museum of Fine Arts, Boston, there is a colophon dated 1331 by Zhang Yucai's son Zhang Sicheng, the thirty-ninth Daoist pope (r. 1317–44). Beneficent Rain is closely related to Chen Rong's Nine Dragons both in content and in style, and may have been directly inspired by the Boston scroll or others like it.
Inscription: Artist’s inscription and signature (3 columns in standard script)

Beneficent Rain
Painted by Weishan, Guangweizi, Zhang Yucai.

《霖雨圖》
薇山廣微子張羽材作。

Artist's seal

Illegible: 1

Colophons[1]

1. Yongxing 永瑆 (1752–1823), 6 columns in standard script, dated 1816:

Qian Weishan (active mid-14th c.) included in his personal anthology, Jiangyue songfeng ji, a poem inscribed on Ascending Dragon painted by Celestial Master Guangwei [Zhang Yucai], which reads:
Breathing the air, riding the clouds, it reaches to the sky.
The ink master works magic; his inkstone smacks of aquatic creatures.
The waves shine, as the pair of swords submerge;
The storm darkens, as the six goddesses [of thunder and lightening] are dispatched.
Flames of fire dart skywards;
Green scales dive in, raising turbulence in the vast sea.
The man of perfect cultivation, carried up along the way, turns immortal;
How can I cling to [the dragon’s] whiskers to cross the Dongting [Lake]?
Recorded by Prince Cheng [Yongxing] on the fifth of the second lunar month in the bingzi year of the Jiaqing reign era [March 3, 1816].

錢惟善 《江月松風集》 有〈題廣微天師昇龍圖詩〉曰:
“噓氣乘雲薄太清,墨卿靈怪硯池腥。
波濤光彩失雙劍,風雨晦冥驅六丁。
朱火騰空超碧落,翠鱗垂水捲滄溟。
真人上挾飛仙去,安得攀髯過洞庭。”
嘉慶丙子二月五日成親王錄。

2. Ke Youzhen 柯有榛 (1814–?), 1 column in standard script, undated; 2 seals:

Given by Mr. Li Zheru (active mid-19th c.), it is kept by Ke Youzhen in the Huangwentang Studio. [Seals]: Huangwentang Zhai, Yunxu xinshang

喆如黎二兄見遺,柯有榛藏于黃文唐齋。 [印]:黃文唐齋、雲虛心賞

Collectors’ seals

Wu Yuanhui 伍元蕙 (19th c.)
Wu shi Nanxue Zhai cang 伍氏南雪齋藏

Unidentified
Shuju Laoren Han Song shu yin 蔬菊老人韓松書印


[1] Translation from Department records.
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