Art/ Collection/ Art Object

The Virgin and Child appearing to three kneeling monks (La Madonna del Carmine), from Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi), plate 9

Series/Portfolio:
Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi
Artist:
Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon)
Artist:
After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)
Publisher:
Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)
Date:
1764
Medium:
Etching with red and black ink
Dimensions:
Sheet: 21 5/8 x 15 9/16 in. (55 x 39.5 cm) Plate: 15 3/4 x 10 1/16 in. (40 x 25.6 cm)
Classification:
Prints
Credit Line:
Rogers Fund, Transferred from the Library, 1941
Accession Number:
41.71.1.21(9)
Not on view
Inscription: At upper right: 9
At lower left: Guercino da Cento inv:
At lower right: Fr. Bartolozzi sculp.
At bottom center: Ex Collectione Comitis Antonii M. Zanetti q.m (m as superscript) Hieron.F.

Marking: On verso at center: The Metropolitan Museum of Art stamp
De Vesme & Calabi 2115
Alexandre de Vesme, Augusto Calabi Francesco Bartolozzi. Catalogue des estampes et notice biographique d'après les manuscrits de A. De Vesme entièrement réformés et complétés d'une étude critique par A. Calabi, Milan, Guido Modiano. Milan, 1928, cat. no. 2115.



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