Art/ Collection/ Art Object
{{img.publicCaption}}

View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio)

Series/Portfolio:
The Hudson River Portfolio
Etcher:
Etching begun by John Rubens Smith (American, London 1775–1849 New York)
Etcher:
Etching finished by John Hill (American (born England), London 1770–1850 Clarksville, New York)
Artist:
after William Guy Wall (Irish, Dublin 1792–after 1864 Ireland (active America))
Publisher:
Henry J. Megarey (American, 1818–1845 New York)
Date:
1825
Medium:
Aquatint printed in color with hand-coloring; first state (Koke)
Dimensions:
Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm) Sheet: 19 x 24 1/2 in. (48.3 x 62.2 cm)
Classification:
Prints
Credit Line:
The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954
Accession Number:
54.90.1274(15)
Not on view
John Agg's related text tells us that, "this part of the Hudson...a few miles south of Poughkeepsie and north of West-Point...exhibits some of the finest scenery of the Highlands, combining both beauty and sublimity...Such are the scenes of solitary magnificence through which, its broad channel sunk into the hollow of the mountains, and its varied surface covered with a thousand white sails glittering to the sun, this mighty river makes its tributary way to the vast Atlantic....It may excite some surprise, that immediately on the verge of a noble stream, communicating with the most populous and commercial city of the Union, such extensive tracts of land should yet be found, which have never known the touch of the ploughshare, nor yielded any growth but the forest oak and mountain pine." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed–to be issued to subscribers in sets of four–and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Inscription: Inscribed in plate, lower center: "View from Fishkill Looking to West Point / No. 15 of the Hudson River Port Folio / Published by Henry I. Megarey New York"; lower left: "Painted by W. G. Wall"; lower right: "Engraved by I. Hill"
Letterpress description on opposite page
Edward W. C. Arnold; Donor: Bequest of Edward W. C. Arnold
Stokes III.573.15; Fielding III.628; Koke 1961, 92
Isaac Newton Phelps Stokes The Iconography of Manhattan Island, 1498-1909, compiled from original sources. 5 vols., 1915–1928, vol. III, p. 573, no. 15.

Mantle Fielding American Engravers upon Copper and Steel: Biographical Sketches and Check Lists of Engravings: A Supplement of David McNeely Stauffer's American Engravers. 1917, vol. III, no. 628, p. 134.

Richard J. Koke "John Hill, Master of Aquatint, 1770–1850." New-York Historical Society Quarterly. vol. 43, no. 1, January 1959, pp. 86-92, 101.

Richard J. Koke A Checklist of the American Engravings of John Hill (1770-1850): Master of Aquatint, Together with a List of Prints Colored by Him and a List of His Extant Original Drawings. New-York Historical Society, 1961, cat. no. 92, pp. 32-33.

Kevin J. Avery American Watercolors and Drawings in the Metropolitan Museum of Art: Voume I, A Catalogue of Works by Artists Born before 1835. New York, 2002, Hill's various roles in "The Hudson River Portfolio" summarized, cat. no. 14, p. 104.

Roberta J. M. Olson, Alexandra Mazzitelli Drawn by New York: six centuries of watercolors and drawings at the New-York Historical Society. 2008, Discusses the American careers of Hill and Wall, and the latter's watercolors for the Hudson River Portfolio, the eight known survivals of which are at the New York Historical Society, pp. 98-99, 166-168.

Michael Botwinick, Bartholomew W. Bland, Laura L. Vookles, Geoff Snell, Pat Hardy, Tara Dawson The Panoramic River: The Hudson and the Thames. Exh. cat., February 2 to May 19. Hudson River Museum, 2013, p. 192.



Related Objects

The Hudson River Portfolio

Artist: After William Guy Wall (Irish, Dublin 1792–after 1864 Ireland (active America)) Date: 1821–25 Medium: Aquatint printed in color with hand-coloring; first and second states Accession: 54.90.1274(1-20) On view in:Not on view

Allan Melville

Artist: John Rubens Smith (American, London 1775–1849 New York) Date: 1810 Medium: Watercolor, gouache, and graphite on smooth surfaced off-white wove paper Accession: 46.192.4 On view in:Not on view

Cohoes Falls on Mohawk River, New York

Artist: John Rubens Smith (American, London 1775–1849 New York) Medium: Watercolor and graphite on off-white wove paper Accession: 1974.199 On view in:Not on view

Gabriel V. Ludlow

Artist: John Rubens Smith (American, London 1775–1849 New York) Date: 1816 Medium: Watercolor, gouache, and graphite on off-white wove paper, backed with laid paper and mounted on a wood strainer Accession: 11.60.180 On view in:Not on view

The Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York City

Artist: Formerly attributed to John Rubens Smith (American, London 1775–1849 New York) Date: ca. 1816 Medium: Watercolor, black ink, and gouache on white laid paper Accession: 22.28.1 On view in:Not on view