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Dancers Practicing at the Barre

1877
On view at The Met Fifth Avenue in Gallery 815
The watering can, visible at left, was a standard fixture in ballet rehearsal rooms; water was sprinkled on the floor to keep dust from rising when ballerinas danced. Degas also used the watering can as a visual pun: its shape is mimicked by that of the dancer at right. Shown at the 1877 Impressionist exhibition, the painting was given by Degas to the collector Henri Rouart as a replacement for an earlier work (now lost), which the artist altered and accidentally destroyed. Louisine Havemeyer purchased it from Rouart's estate sale in 1912, for $95,700, a record price for a work by a living artist.

Artwork Details

Object Information
  • Title: Dancers Practicing at the Barre
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Date: 1877
  • Medium: Mixed media on canvas
  • Dimensions: 29 3/4 x 32 in. (75.6 x 81.3 cm)
  • Classification: Paintings
  • Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
  • Object Number: 29.100.34
  • Curatorial Department: European Paintings

More Artwork

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Huit Sonnets. . .Illustré de dix-nuef dessins inédits de Edgar Degas
Edgar Degas
Wittenborn and Co., La Jeune Parque
1946
Seated Woman in Bonnet and Shawl, Edgar Degas French, Aquatint, drypoint, and etching; printed from canceled plate
Seated Woman in Bonnet and Shawl
Edgar Degas
ca. 1879
At the Café des Ambassadeurs, Edgar Degas French, Etching, softground, drypoint, and aquatint; fifth (final) state; canceled plate
At the Café des Ambassadeurs
Edgar Degas
1879–80
Greek Landscape, Edgar Degas French, Etching (only state; impression from cancelled plate)
Greek Landscape
Edgar Degas
1856
On Stage III, Edgar Degas French, Softground etching,drypoint, and roulette on wove paper; fourth state of five
On Stage III
Edgar Degas
1876–77

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