Art/ Collection/ Art Object

Awaiting the Reply

Artist:
Robert Charles Dudley (British, 1826–1909)
Date:
ca. 1866
Medium:
Oil on canvas
Dimensions:
23 1/4 x 33 1/2 in. (59.1 x 85.1 cm)
Classification:
Paintings
Credit Line:
Gift of Cyrus W. Field, 1892
Accession Number:
92.10.43
Not on view
Inscription: Stamped? (lower left): R·DUDLEY
Cyrus W. Field, New York (until 1892)
New York. The Metropolitan Museum of Art. "The Cyrus W. Field Collection of Paintings," 1894, no. 39.

New York. The Metropolitan Museum of Art. "Life in America," April 24–October 29, 1939, no. 207.

Denver Art Museum. "Life in America," March 4–April 30, 1951, not in catalogue.

Cyrus W. Field. Letter to the Trustees of The Metropolitan Museum of Art. May 5, 1892, offers his collection of objects commemorating the laying of the Atlantic cable, including this painting, to the MMA.

Henry M[artyn]. Field. The Story of the Atlantic Telegraph. New York, 1892, ill. opp. p. 366, as "Watching for the Reply from Ireland".

Daniel Huntington. Letter to General Luigi Palma di Cesnola. May 3, 1892, strongly recommends the accession of this series (92.10.42-47), noting that it represents "one of the important events of our times".

A. Hyatt Mayor and Josephine L. Allen in Life in America. Exh. cat., The Metropolitan Museum of Art. New York, 1939, pp. 156–58, no. 207, ill., identify Cyrus W. Field as the tall figure silhouetted against the window.

Josephine C. Dobkin. "The Laying of the Atlantic Cable: Paintings, Watercolors, and Commemorative Objects Given to the Metropolitan Museum by Cyrus W. Field." Metropolitan Museum Journal 41 (2006), pp. 155, 157, 159, 167, Appendix no. 5, notes that this is the fifth picture in the series, showing Field and his team aboard the ship on September 1, 1866, awaiting a signal from Ireland; identifies the scientist William Thomson, Captain James Anderson, Samuel Morse, and the engineer Samuel Canning among the figures.



This series of six paintings (92.10.42–47) illustrates the laying of the first trans-Atlantic telegraph cable. After unsuccessful attempts in 1857, 1858, and 1865, the cable was finally laid and brought into use in 1866. Cyrus W. Field, the donor of the works, was a founder of the Atlantic Telegraph Company and instrumental in the laying of the cable.
The six pictures illustrate the sequence of events as follows (Dobkin 2006):
1) Landing the Shore End of the Atlantic Cable (92.10.44)
2) Making the Splice between the Shore End and the Ocean Cable (92.10.47)
3) Landing at Newfoundland (92.10.46)
4) Grappling for the Lost Cable (92.10.45)
5) Awaiting the Reply (92.10.43)
6) Homeward Bound: 'The Great Eastern' (92.10.42)
Five of the six (92.10.42-46) were illustrated in The Story of the Atlantic Telegraph by Henry M. Field (1892) without attribution to Dudley. Dudley also executed a series of watercolors (MMA 92.10.48–91) depicting each of the attempts to lay the cable, from 1857 to 1866, which are unrelated to the compositions of the paintings. Some of these watercolors were used as illustrations in William H. Russell's book The Atlantic Telegraph (1866; MMA 92.10.100). Field also donated several related commemorative objects, documents, and medals (MMA 92.10.1–40, 92.10.92–99).
Related Objects

Landing the Shore End of the Atlantic Cable

Artist: Robert Charles Dudley (British, 1826–1909) Date: 1866 Medium: Oil on canvas Accession: 92.10.44 On view in:Not on view

Landing at Newfoundland

Artist: Robert Charles Dudley (British, 1826–1909) Date: ca. 1866 Medium: Oil on canvas Accession: 92.10.46 On view in:Not on view

Grappling for the Lost Cable

Artist: Robert Charles Dudley (British, 1826–1909) Date: ca. 1866 Medium: Oil on canvas Accession: 92.10.45 On view in:Not on view

Homeward Bound: "The Great Eastern"

Artist: Robert Charles Dudley (British, 1826–1909) Date: ca. 1866 Medium: Oil on canvas Accession: 92.10.42 On view in:Not on view

Making the Splice between the Shore End and the Ocean Cable

Artist: Robert Charles Dudley (British, 1826–1909) Date: ca. 1866 Medium: Oil on canvas Accession: 92.10.47 On view in:Not on view