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Santa Maria della Salute

mid- to late 1760s
On view at The Met Fifth Avenue in Gallery 644
Standing near the end of Venice’s Grand Canal, Santa Maria della Salute became one of the city’s most recognizable sights thanks to its distinctive dome, and the one most often represented in paintings made for sale to visitors. This work, which was among the earliest purchased by The Met, in 1871, was produced with a pendant, or companion view, representing the Grand Canal above the Rialto Bridge.

Artwork Details

Object Information
  • Title: Santa Maria della Salute
  • Artist: Francesco Guardi (Italian, Venice 1712–1793 Venice)
  • Date: mid- to late 1760s
  • Medium: Oil on canvas
  • Dimensions: 21 x 33 3/4 in. (53.3 x 85.7 cm)
  • Classification: Paintings
  • Credit Line: Purchase, 1871
  • Object Number: 71.120
  • Curatorial Department: European Paintings

More Artwork

More Artwork
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Capriccio with Roman Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support
Capriccio with Roman Ruins
Francesco Guardi
18th century
The Arcade of the Libreria, Looking Toward San Giorgio Maggiore, Francesco Guardi Italian, Pen and brown ink, brush and brown wash
The Arcade of the Libreria, Looking Toward San Giorgio Maggiore
Francesco Guardi
1712–93
Lagoon Capriccio with an Obelisk, Francesco Guardi Italian, Pen and brown ink, brush and gray wash, over black chalk
Lagoon Capriccio with an Obelisk
Francesco Guardi
ca. 1750–70
View of Piazza with Basilica of San Marco, Francesco Guardi Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer
View of Piazza with Basilica of San Marco
Francesco Guardi
1712–93
Bullbaiting in a Venetian Piazza, Francesco Guardi Italian, Pen and brown ink
Bullbaiting in a Venetian Piazza
Francesco Guardi
1712–93

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