Sir Charles Long, later Baron Farnborough, Bromley Hill Place, Kent (?until d. 1838); Miss Norah Dawson, Little Bidlake, Bridestowe, North Devon (until 1942; sale, Christie's, London, October 2, 1942, no. 97, for £735 the pair [with 1982.60.14] to Cevat); [Daan Cevat, 1942]; [Koetser Gallery, New York, 1942–43; sold to Linsky]; Mr. and Mrs. Jack Linsky, New York (1943–his d. 1980); Mrs. Jack Linsky, New York (1980–82)
THIS WORK MAY NOT BE LENT, BY TERMS OF ITS ACQUISITION BY THE METROPOLITAN MUSEUM OF ART.
Antonio Morassi. Guardi: Antonio e Francesco Guardi. Venice, [1973?], vol. 1, pp. 402, 410, no. 536, as a pendant to MMA 1982.60.14 (no. 485); calls it a late work of beautiful luminosity; notes the resemblance to a work in a private collection, Geneva (no. 532).
Luigina Rossi Bortolatto. L'opera completa di Francesco Guardi. Milan, 1974, pp. 107, 114, no. 414.
Keith Christiansen inThe Jack and Belle Linsky Collection in The Metropolitan Museum of Art. New York, 1984, pp. 48–50, no. 15, ill., states that it is difficult to determine the role of Guardi's workshop in the production of such minor paintings as this one and its pendant; in addition to the related work in Geneva, mentions another formerly with Silvano Lodi in Munich, stating that all three paintings are based on a drawing similar to one in the Musée Départemental des Vosges, Epinal, and adding that several gondolas in the three pictures are repeated in a drawing attributed to Guardi in the Musée du Petit Palais, Paris; suggests that the ex Lodi painting (on paper laid down on wood) may be the prime version.
The Rialto Bridge is seen from the south, with the Riva del Vin and the Palazzo dei Dieci Savi on the left. Beyond the bridge is the Palazzo dei Camerlenghi on the left and the Fondaco dei Tedeschi on the right.
The picture is a pendant to Venice: The Dogana and Santa Maria della Salute (MMA 1982.60.14).
Artist: Francesco Guardi (Italian, Venice 1712–1793 Venice) (recto)Date: 1712–1835Medium: Pen and brown ink, brush with brown and gray wash over traces of black chalk (recto); pen and brown ink, brush and gray wash (verso)Accession: 37.165.73On view in:Not on view