George Moore (1852–1933)

1879
On view at The Met Fifth Avenue in Gallery 817
This pastel, executed in one sitting, depicts the Irish critic and novelist George Moore. He used it as the frontispiece for his book Modern Painting (1893), noting that as "a fresh-complexioned, fair-haired young man, the type most suitable to Manet's palette, [the artist] at once asked [him] to sit." Critics ridiculed this work when it was exhibited in 1880, calling it "Le Noyé repêché" (the drowned man fished out of the water). The picture is Manet’s only completed portrait of Moore; one of his unfinished canvases, George Moore at the Café (55.193), is in the Museum's collection.

Artwork Details

Object Information
  • Title: George Moore (1852–1933)
  • Artist: Edouard Manet (French, Paris 1832–1883 Paris)
  • Date: 1879
  • Medium: Pastel on canvas
  • Dimensions: 21 3/4 x 13 7/8 in. (55.2 x 35.2 cm)
  • Classification: Drawings
  • Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
  • Object Number: 29.100.55
  • Curatorial Department: European Paintings

Audio

Cover Image for 6226. George Moore (1852–1933)

6226. George Moore (1852–1933)

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NARRATOR—Late in his career, Manet executed a series of portraits in pastel, depicting members of his glamorous social circle. The majority--two examples of which are frequently on view in this gallery-- depict beautiful women. In this particular work, Manet turned to pastel to capture what he considered to be the rather intractable appearance of the Irish critic and novelist George Moore. The portrait failed to please the sitter, who subsequently pestered the artist to retouch it. Manet steadfastly refused. He commented: "Is it my fault that Moore has that look of a broken egg yolk, or if the sides of his face are not aligned? The plague of our times is the need for symmetry. There is no symmetry in nature. One eye never matches the other; it's always different. We all have more or less crooked noses, our mouths are always irregular."

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