Rembrandt's Son Titus (1641–1668)
The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a favorite of Rembrandt forgers, who occasionally failed to coordinate the date on their canvas with the style of execution and the sitter's age. The present painter has been more careful, evidently referring to an original portrait of Titus such as the one of about 1657 in the Wallace Collection, London, and, for the costume, to a self-portrait or other Rembrandt painting of the period; the same pose and placement of the figure in the composition occur in Rembrandt's Self-Portrait of 1652 in the Kunsthistorisches Museum, Vienna. The boy's bright eyes and sweetly smiling lips seem as superficial in expression as they are in form. The technique overall might be compared with that of the Man with a Beard (89.15.3).
Artwork Details
- Title: Rembrandt's Son Titus (1641–1668)
- Artist: Style of Rembrandt (17th century or later)
- Medium: Oil on canvas
- Dimensions: 31 1/8 x 23 1/4 in. (79.1 x 59.1 cm)
- Classification: Paintings
- Credit Line: Bequest of Benjamin Altman, 1913
- Object Number: 14.40.608
- Curatorial Department: European Paintings
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.