Thaw Collection, Jointly Owned by The Metropolitan Museum of Art and The Morgan Library & Museum, Gift of Eugene V. Thaw, 2009
Not on view
In 1823, Reinhold visited the Gulf of Sorrento with fellow artists Johann Joachim Faber (1778–1846) and Carl Wilhelm Götzloff (1799–1866), all of whom painted this view. The present composition exists in another version, usually dated about 1824 (Neue Pinakotek, Munich).
Georg Schäfer, Schweinfurt (until d. 1975); his estate, 1975–77; Schäfer Foundation, Schweinfurt (1977–2005; inv. no. 521; their sale, Neumeister, Munich, February 24, 2005, no. 75, for 28,000 euros [$37,041]); Eugene V. Thaw, New York (until 2009)
Kunstgalerie Gera. "Heinrich Reinhold (1788–1825), Italienische Landschaften: Zeichnungen, Aquarelle, Ölskizzen, Gemälde," 1988, no. 198 (as "Kapuzinergarten bei Sorrent," lent by Sammlung Georg Schäfer, Schweinfurt).
Carmen Winkler inHeinrich Reinhold (1788–1825), Italienische Landschaften: Zeichnungen, Aquarelle, Ölskizzen, Gemälde. Exh. cat., Kunstgalerie Gera. Gera, 1988, pp. 80–81, no. 198, ill. p. 282 (color), dates it 1823/24 and compares it to the slightly later version in the Neue Pinakothek, Munich.
Susanne Peters-Schildgen inFaber in Italien. Exh. cat., Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck. Lübeck, 1992, unpaginated, as in the Schäfer collection.
Esther Bell. "Catalogue Raisonné of the Thaw Collection." Studying Nature: Oil Sketches from the Thaw Collection. Ed. Jennifer Tonkovich. New York, 2011, p. 139, no. 113, ill. (color), calls it "Terrace of the Capuchin Garden, Sorrento" and dates it 1823–24.
Reinhold painted a version of this composition (oil on canvas, 42 x 55 cm), usually dated about 1824, which is in the Neue Pinakothek, Munich (see Winkler 1988).
The same view was painted by the artists who accompanied Reinhold to Sorrento in 1823, Carl Wilhelm Götzloff (see Ernst-Alfred Lentes, "Carl Wilhelm Götzloff, Ein Dresdner Romantiker mit napolitanischer Heimat: Monographie mit Werkverzeichnis der Gemälde," Stuttgart, 1996, p. 150, no. 14, fig. 37, as dated 1827 and located in a private collection) and Johan Joachim Faber (1828; Hamburger Kunsthalle, 2036).