Art/ Collection/ Art Object

Coastal Landscape with Tower

Artist:
Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome)
Date:
ca. 1651–52
Medium:
Oil over red chalk on paper
Dimensions:
6 7/8 x 10 3/8 in. (17.5 x 26.4 cm)
Classification:
Paintings
Credit Line:
Thaw Collection, Jointly Owned by The Metropolitan Museum of Art and The Morgan Library & Museum, Gift of Eugene V. Thaw, 2009
Accession Number:
2009.400.88
Not on view
sale, Christie's, New York, January 22, 2004, no. 61, as "An extensive coastal landscape seen from a wooded headland," by Mola; Eugene V. Thaw, New York (until 2009)
Old Master and 19th Century Drawings. Christie's, New York. January 22, 2004, p. 71, no. 61, ill. (color), states that Nicholas Turner confirms the attribution to Mola and suggests dating the picture about 1651–52, when the artist was working on the decoration of the Palazzo Pamphilj at Nettuno on the coast south of Rome; mentions similar oil sketches by Mola in Düsseldorf and a more closely related drawing of "Trees at the edge of a grassy slope, with a rocky outcrop to the left" in a private collection, Paris.

Ann Hoenigswald. "Manipulating Paint: The Shorthand of Plein-Air Technique." Studying Nature: Oil Sketches from the Thaw Collection. Ed. Jennifer Tonkovich. New York, 2011, p. 13, cites it as a characteristic early example of a plein-air sketch, "probably done without any preparation on the support" and "painted on coarse paper".

Richard Rand. "'Landscape with Erminia' and Claude's Paintings from Nature." Studying Nature: Oil Sketches from the Thaw Collection. Ed. Jennifer Tonkovich. New York, 2011, p. 54, fig. 42 (color), describes properties that make it a characteristic early plein-air sketch.

Esther Bell. "Catalogue Raisonné of the Thaw Collection." Studying Nature: Oil Sketches from the Thaw Collection. Ed. Jennifer Tonkovich. New York, 2011, p. 135, no. 102, ill. (color), calls it "Coastal Landscape with Tower" and dates it about 1651–52.



There are sketches of two heads in red chalk on the verso.
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