The walls of this casket bear seated figures and musicians with coursing animals on the borders. Most of the silver inlay that once provided contrast to the forms has been lost, as craftsmen working in the mid-thirteenth century did not prepare metal sheets to receive precious metal, but simply incised outlines around the areas to be inlaid. The pseudo-calligraphy along the chamfered portion of the lid of this casket is purely decorative.
Inscription: According to Abdullah Ghouchani the calligraphy is purely decorative.
Edward C. Moore (American, New York 1827–1891 New York), New York (until d. 1891; bequeathed to MMA)
Bloomington. Indiana University. "Islamic Art Across the World," June 18, 1970–October 1, 1970, no. 276.
New York. Forbes Galleries. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," September 22, 2008–December 31, 2008, p. 118.
Chicago. Field Museum of Natural History. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," February 13, 2009–June 14, 2009, p. 118.
Paris. Institut du Monde Arabe. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," April 19, 2010–July 25, 2010, p. 118.
Aanavi, Don. "Devotional Writing: "Pseudoinscriptions" in Islamic Art." Metropolitan Museum of Art Bulletin vol. 26, no. 9 (May 1968). 357, ill. fig. 9 (b/w).
Bowie, Theodore Robert. "An Exhibition Prepared by Theodore Bowie." In Islamic Art Across the World. Vol. no. 1970/3. Bloomington, IN: Indiana University Art Museum, 1970. no. 276.
Price, Judith. "Exquisite Objects from the Cradle of Civilization." In Masterpieces of Ancient Jewelry. Philadelphia; London, 2008. p. 118, ill. (color).