Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Leather; tooled and gilded; ink on paper
11 1/2 x 7 in. (29.2 x 17.8 cm)
Gift of Alexander Smith Cochran, 1913
Not on view
Manuscripts from the Safavid capital, such as this copy of Nizami's Khamsa, are notable for their high-quality illumination and bindings. Characteristic of Persian doublures of this period is the contrasting colors of this example: the burgundy of the leather, the blue of the center and corner-pieces, and the gold gilding. Venetian Renaissance gilded leather bindings were particularly influenced by Safavid and Ottoman examples.
Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
Jackson, A. V. Williams, and A. Yohannan. Catalogue of the Collection of Persian Manuscripts, Including also some Turkish and Arabic, Presented to the Metropolitan Museum of Art, New York by Alexander Smith Cochran. Columbia University Indo Iranian Series, vol. 1. New York: Columbia University Press, 1912. no. 7, pp. 53-58, ill. (b/w).
Carboni, Stefano, ed. Venezia e l'Islam, 828–1797. Venice: Marsilio Editori, 2007. no. 99, pp. 61, 347, ill. p. 61 (color).
Carboni, Stefano, ed. Venice and the Islamic World, 828–1797. New York and New Haven: Yale University Press, 2007. no. 126, pp. 239, 333, ill. p. 239 (color).
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: dated A.H. 931/A.D. 1524–25Medium: Ink, opaque watercolor, and gold on paperAccession: 188.8.131.52On view in:Gallery 455
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: dated A.H. 931/A.D. 1524–25Medium: Ink, opaque watercolor, silver, and gold on paperAccession: 184.108.40.206On view in:Not on view