Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Leather; tooled and gilded; ink on paper
11 1/2 x 7 in. (29.2 x 17.8 cm)
Gift of Alexander Smith Cochran, 1913
Not on view
Manuscripts from the Safavid capital, such as this copy of Nizami's Khamsa, are notable for their high-quality illumination and bindings. Characteristic of Persian doublures of this period is the contrasting colors of this example: the burgundy of the leather, the blue of the center and corner-pieces, and the gold gilding. Venetian Renaissance gilded leather bindings were particularly influenced by Safavid and Ottoman examples.
Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
Katonah, NY. Katonah Museum of Art. "Islamic Insights: An Introduction to Islamic Art," March 16, 1980–May 25, 1980.
The Metropolitan Museum of Art. "The Perfect Page: The Art of Embellishment in Islamic Book Design," May 17, 1991–August 18, 1991.
Paris. Institut du Monde Arabe. "Venice and the Islamic World, 828–1797," October 2, 2006–February 18, 2007.
New York. The Metropolitan Museum of Art. "Venice and the Islamic World, 828–1797," March 26, 2007–July 8, 2007.
Venice. Musei Civici Venezani. "Venice and the Islamic World, 828–1797," July 28, 2007–November 25, 2007.
Venice. Sala dello Scrutinio of the Doge's Palace. "Venezia e L'Islam, 828–1797," July 28, 2007–November 25, 2007.
Jackson, A. V. Williams, and A. Yohannan. Catalogue of the Collection of Persian Manuscripts, Including also some Turkish and Arabic, Presented to the Metropolitan Museum of Art, New York by Alexander Smith Cochran. Columbia University Indo Iranian Series, vol. 1. New York: Columbia University Press, 1912. no. 7, pp. 53-58, ill. (b/w).
Valentiner, William Reinhold. "The Cochran Collection of Persian Manuscripts." Museum of Metropolitan Art Bulletin, old series, vol. 8 (1913). pp. 80-86.
Carboni, Stefano, ed. Venice and the Islamic World, 828–1797. New York and New Haven: Yale University Press, 2007. no. 126, pp. 239, 333, ill. p. 239 (color).
Carboni, Stefano, ed. Venezia e l'Islam, 828–1797. Venice: Marsilio Editori, 2007. no. 99, pp. 61, 347, ill. p. 61 (color).
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: ca. 1625–30Medium: Ink, opaque watercolor, and gold on unpolished paperAccession: 1982.476.1a, bOn view in:Not on view