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"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi

Poet:
Amir Khusrau Dihlavi (1253–1325)
Calligrapher:
Muhammad Husain Kashmiri (active ca. 1560–1611)
Artist:
Painting by Manohar (active ca. 1582–1624)
Object Name:
Folio from an illustrated manuscript
Date:
1597–98
Geography:
India
Culture:
Islamic
Medium:
Ink, opaque watercolor, and gold on paper
Dimensions:
H. 9 3/4 in. (24.8 cm) W. 6 1/4 in. (15.9 cm)
Classification:
Codices
Credit Line:
Gift of Alexander Smith Cochran, 1913
Accession Number:
13.228.33
On view at The Met Fifth Avenue in Gallery 463
Approximately one century after the Persian poet Nizami wrote his Khamsa (Quintet), the Indian poet Amir Khusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1550–1605) copy of Amir Khusrau’s verses. It depicts a story told by a princess to the king Bahram Gur, about a youth and the fairy queen he imagines meeting nightly in a lush garden.
Signature: 'amal-i Manohara

Inscription: Signature in Persian in nasta‘liq script at bottom right-hand side of frame:
عمل منوهر
Work of Manohar
Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
New York. The Metropolitan Museum of Art. "Masterpieces of Indian Art in The Metropolitan Museum of Art," January 18, 1973–April 1, 1973.

Baltimore. Walters Art Museum. "Pearls of the Parrot of India: The Khamsa of Amir Khusraw of Delhi (1597/98)," June 9, 2005–September 4, 2005.

New York. The Metropolitan Museum of Art. "Pearls of the Parrot of India: The Khamsa of Amir Khusraw of Delhi (1597/98)," October 14, 2005–March 12, 2006.

Valentiner, William Reinhold. "The Cochran Collection of Persian Manuscripts." Museum of Metropolitan Art Bulletin, old series, vol. 8 (1913). pp. 80-86.

Ashton, Leigh, Sir, ed. "A Commemorative Catalogue of the Exhibiton Held at the Royal Academy of Arts, London 1947-48." In The Art of India and Pakistan. New York: Coward-McCann, 1949. no. 652.

Grube, Ernst J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." In The Classical Style in Islamic Painting. Venice: Edizioni Oriens, 1968. ill. pl. 94 (b/w).

Ettinghausen, Richard. "Islamic Art." Metropolitan Museum of Art Bulletin vol. 33, no. 1 (Spring 1975). ill. p. 24 (color).

Brend, Barbara. "Akbar's Khamsa of Amir Khursaw Dihlavi-A Reconstruction of the Cycle of Illustration." Artibus Asiae vol. 49, nos. 3, 4 (1988/89). ill. pl. 15.

Seyller, John. "The Walters Art Museum Khamsa of Amir Khusraw of Delhi." In Pearls of the Parrot of India.. Baltimore, MD: Walters Art Museum, 2001. no. XXVII, pp. 98-99, ill. fig. 32 (color).

Brend, Barbara. "Illustrations to Amir Khusrau's Khamsa." In Perspectives on Persian Painting. New York: RoutledgeCurzon, 2003. pp. 226-38, pl. V, pp. 48, 198, 264.

Barry, Mike, and Stuart Cary Welch. "et l'Enigme de Behzad de Herat (1465–1535)." In L'Art Figuratif en Islam Medieval. Paris: Flammarion, 2004. pp. 304-305, ill. p. 305 (color).

Beach, Milo C., Eberhard Fischer, and B.N. Goswamy. Masters of Indian Painting. Vol. Vols. I, II. Zurich, Switzerland: Artibus Asiae Publishers, 2011. vol. !, p. 136.

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 247B, pp. 339, 352-354, ill. p. 353 (color).

The Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012. p. 140, ill. (color).



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