Art/ Collection/ Art Object
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"Bahram Gur in the Green Palace on Monday", Folio from a Khamsa (Quintet) of Nizami

Author:
Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Object Name:
Folio from an illustrated manuscript
Date:
A.H. 931/A.D. 1524–25
Geography:
Made in present-day Afghanistan, Herat
Culture:
Islamic
Medium:
Ink, opaque watercolor, silver, and gold on paper
Dimensions:
Painting: H. 7 1/4 in. (18.4 cm) W. 5 in. (12.7 cm) Page: H. 12 3/4 in. (32.4 cm) W. 8 5/8 in. (21.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)
Classification:
Codices
Credit Line:
Gift of Alexander Smith Cochran, 1913
Accession Number:
13.228.7.12
Not on view
The Haft Paikar (Seven Portraits) is one of the five poems of the Khamsa of Nizami. The poetry is mystical, illustrating the supremacy of divine love over earthly pleasures. In the story, Bahram Gur marries seven princesses from the seven regions of the world and visits each one in her own pavilion on successive nights. Here, he and the princess of Khorezm are seated in the garden pavilion of the green palace. The surrounding objects provide a glimpse of the luxury goods of the early sixteenth century. Although this manuscript was completed during the Safavid period, it displays a continuity with the painting styles of Timurid Herat.
F. R. Martin, Sweden; Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
Valentiner, William Reinhold. "The Cochran Collection of Persian Manuscripts." Museum of Metropolitan Art Bulletin, old series, vol. 8 (1913). pp. 80-86.

The Metropolitan Museum of Art. Masterpieces of Fifty Centuries: the Metropolitan Museum of Art. New York: E. P. Dutton & Co., 1970. no. 158, p. 181, ill. (b/w).

Brend, Barbara. "Illustrations to Amir Khusrau's Khamsa." In Perspectives on Persian Painting. New York: RoutledgeCurzon, 2003. p. 190.



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