Art/ Collection/ Art Object
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Rectangular Textile Fragment

Object Name:
Fragment
Date:
second half 16th century
Geography:
Turkey, Bursa
Culture:
Islamic
Medium:
Silk, metal wrapped thread; cut and voided velvet, brocaded
Dimensions:
Textile: H. 66 in. (167.6 cm) W. 52 in. (132.1 cm) Mount: H. 70 1/2 in. (179.1cm) W. 56 1/8 in. (142.6 cm) D. 2 in. (5.1 cm) Wt. 89 lbs. (40.4 kg)
Classification:
Textiles-Woven
Credit Line:
Rogers Fund, 1917
Accession Number:
17.29.10
Not on view
Bursa, a mountainside city in northwest Anatolia about 60 kilometers from Istanbul, was from the mid-fifteenth to the seventeenth centuries the major production center of velvets in the Ottoman empire. This splendid panel, composed of two loom-width pieces sewn together, typifies Bursa velvet weaving in the late sixteenth century. The motifs, especially the feathery leaves embracing the artichokes, are among the most frequently used by Ottoman weavers (and ceramicists) in this period. Fabrics such as this one were primarily employed in furnishings, such as cushions, curtains, and wall hangings, in the Ottoman empire. The many examples exported to Europe, on the other hand, were most often used in ceremonial costumes.
Mrs. Charles T. Barney, New York (by 1914); [ P. W. French and Company, New York , until 1917; sold to MMA]
Paris. Institut du Monde Arabe. "Venice and the Islamic World, 828–1797," October 2, 2006–February 18, 2007.

New York. The Metropolitan Museum of Art. "Venice and the Islamic World, 828–1797," March 26, 2007–July 8, 2007.

Venice. Musei Civici Venezani. "Venice and the Islamic World, 828–1797," July 28, 2007–November 25, 2007.

Dimand, Maurice S. A Handbook of Muhammadan Art. 2nd rev. and enl. ed. New York: The Metropolitan Museum of Art, 1944. p. 270, ill. fig. 178 (b/w).

Carboni, Stefano, ed. Venice and the Islamic World, 828–1797. New York and New Haven: Yale University Press, 2007. no. 71, pp. 60, 321, ill. p. 60 (color).

Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators." In Art of the Islamic World. New York: The Metropolitan Museum of Art, 2012. pp. 228-229, ill. pl. 46 (color).



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