Stonepaste; polychrome inglaze and overglaze painted and gilded on opaque white glaze (mina'i).
H. 4 3/4 in. (12.1 cm)
Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917
On view at The Met Fifth Avenue in Gallery 453
A written source of the early 14th century informs us that at that time mina’i objects were no longer manufactured, and that some were kept "in townships and in shrines". This suggests that they were still held in high esteem, and partially explains the large number of intact mina’i objects known today, and the relatively few fragments found in archaeological excavations. The technique was laborious, and the lavish result was often enriched by gilding. On this mug, the painted and gilded scenes show a procession of courtly riders on the upper register and one of sphinxes on the lower register. Despite the reiteration of the figures, the overall depiction is enlivened by the opposite directions of the riders in respect to that of the sphinxes, by the movement of the running horses and that of the riders (one rider has his head turned back, others are striving to hold branches), and by the details of their garments.
Inscription: On the interior rim there is kufic decorative script.
On the outer rim there is an inscription in kufic script:
العز الدائم ... الاقبال ...
At the bottom there are inscriptions in decorative kufic script.
Mr. and Mrs. Isaac D. Fletcher, New York (until his d.1917; bequeathed to MMA)
New York. The Metropolitan Museum of Art. "Riding Across Central Asia: Images of the Mongolian Horse in Islamic Art," April 26, 2000–November 12, 2000.
Dimand, Maurice S. A Handbook of Mohammedan Decorative Arts. New York: The Metropolitan Museum of Art, 1930. p. 186, ill. pl. II (color).
Dimand, Maurice S. A Handbook of Muhammadan Art. 2nd rev. and enl. ed. New York: The Metropolitan Museum of Art, 1944. p. 186, ill. pl. 1 (color).