Stonepaste; polychrome painted under transparent glaze
H. 22 in. (55.9 cm)
W. 33 in. (83.8 cm)
Rogers Fund, 1922
On view at The Met Fifth Avenue in Gallery 460
This panel represents one of the ceramic tile workshops outside Iznik, in the Ottoman province of Syria. It is composed of six tiles, each almost a foot square in size and slightly larger than the standard size used at Iznik. It is designed with a repeating pattern of parallel undulating grapevines ornamented with distinctive dark-blue grape leaves, vine tendrils, and small bunches of grapes. Differences in the individual tiles suggest that the overall design may have been executed freehand over a large field of tiles, rather than each individual tile having been painted from the same paper template. Such variations, almost never found in Iznik production, are a common feature of Damascus tiles in the seventeenth century. Virtually identical tiles are found in the Darwishiyya Mosque in Damascus, erected in 1571.
Lockwood de Forest (American, New York 1850–1932 Santa Barbara, California), New York and Santa Barbara (until 1922; his sale,American Art Association, November 24–25, 1922, lot 443; to MMA)
Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 219, pp. 310-311, ill. p. 310 (color).
Date: dated A.H. 1119/A.D. 1707Medium: Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brassAccession: 1970.170On view in:Gallery 461