H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929
Not on view
This folio from a dispersed Qur'an exemplifies the transition during the Seljuq period from Qur'ans written in kufic script on parchment to those copied in the more rounded new-style writing on paper. By the late twelfth century, the practitioners of the new style had perfected its mannered, slightly eccentric forms. As seen here, these include the extreme elongation of tall letters and the ellipse formed by combining two of these letters, lam and alif.
H. O. Havemeyer Collection, New York (until 1929; gifted to MMA)
The Metropolitan Museum of Art, Daniel S. Walker, Arturo Ponce Guadián, Sussan Babaie, Stefano Carboni, Aimee Froom, Marie Lukens Swietochowski, Tomoko Masuya, Annie Christine Daskalakis-Matthews, Abdallah Kahil, and Rochelle Kessler. "Colegio de San Ildefonso, Septiembre de 1994-Enero de 1995." In Arte Islámico del Museo Metropolitano de Arte de Nueva York. Mexico City: Consejo Nacional para la Cultura y las Artes, 1994. no. 2, pp. 48-49, ill. p. 49 (b/w).
Canby, Sheila R., Deniz Beyazit, Martina Rugiadi, and A. C. S. Peacock. "The Great Age of the Seljuqs." In Court and Cosmos. New York: The Metropolitan Museum of Art, 2016. no. 183, p. 283, ill. (color).