Fudō is the most widely represented of the Buddhist deities known as Myōō, or Kings of Brightness. A fierce protector of the Buddhist law, he is a direct emanation of Dainichi Nyorai, the principal Buddha of Esoteric Buddhism. The first sculptures of Fudō Myōō made in Japan showed the figure seated, but standing examples like this one began to appear in the eleventh century. Fudō uses his sword to cut through ignorance and his lasso to reign in those who would block the path to enlightenment. The heavy weight of the shoulders and back is planted firmly on the stiffened legs, appropriate for a deity whose name means “the Immovable One.” This statue, composed of six hollowed-out pieces of wood, was formerly the central icon at Kuhonji Temple, northwest of Kyoto.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
不動明王像
Title:Fudō Myōō (Achala Vidyaraja)
Period:Heian period (794–1185)
Date:12th century
Culture:Japan
Medium:Wood with lacquer, gold leaf, and color; joined-woodblock construction (yosegi-zukuri)
Dimensions:H. 63 3/4 in. (162 cm)
Classification:Sculpture
Credit Line:The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Object Number:1975.268.163
Kuhonji Gomadō, Funasaka; [ Harry G. C. Packard American, Tokyo, until 1975; donated and sold to MMA].
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27–September 27, 1998.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1998.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14–June 13, 2004.
New York. The Metropolitan Museum of Art. "Tribute to a Dedicated Collector: Mary Griggs Burke," June 30–November 29, 2004.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22–September 10, 2006.
New York. The Metropolitan Museum of Art. "Flowing Streams: Scenes from Japanese Arts and Life," December 21, 2006–June 3, 2007.
New York. The Metropolitan Museum of Art. "Poetry and Travel in Japanese Art," December 18, 2008–May 31, 2009.
New York. The Metropolitan Museum of Art. "Japanese Mandalas: Emanations and Avatars," June 18–November 30, 2009.
New York. The Metropolitan Museum of Art. "Landscapes in Japanese Art," June 24–November 7, 2010.
New York. The Metropolitan Museum of Art. "A Beautiful Country: Yamato-e in Japanese Art," November 20, 2010–June 5, 2011.
New York. The Metropolitan Museum of Art. "Arts of Japan Galleries," February 2–July 28, 2013.
New York. The Metropolitan Museum of Art. "Discovering Japanese Art: American Collectors and the Met," February 14 - September 27, 2015.
New York. The Metropolitan Museum of Art. "Celebrating the Arts of Japan: The Mary Griggs Burke Collection," October 20, 2015–May 14, 2017.
New York. The Metropolitan Museum of Art. "The Poetry of Nature: Edo Paintings from the Fishbein-Bender Collection," February 27, 2018–January 21, 2019.
New York. The Metropolitan Museum of Art. "Anxiety and Hope in Japanese Art," April 8, 2023–July 14, 2024.
The Metropolitan Museum of Art. "The Three Perfections: Japanese Poetry, Calligraphy, and Painting from the Mary and Cheney Cowles Collection," August 10, 2024–August 3, 2025.
de Montebello, Philippe, ed. The Metropolitan Museum of Art: Notable Acquisitions, 1975–1979. New York: The Metropolitan Museum of Art, 1979, pp. 78–79.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983, p. 242, fig. 5.
Barnhart, Richard M. (Introduction). The Metropolitan Museum of Art: Asia. New York: The Metropolitan Museum of Art, 1987, pp. 18–19, pl. 5.
McConnell, Sophie. Metropolitan Jewelry. New York: The Metropolitan Museum of Art, 1991, pp. 73, 109.
Tokyo Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所, ed. Nyūyōku Metoroporitan Bijutsukan, kaiga, chōkoku ニューヨークメトロポリタン美術館，絵画・彫刻 (Painting and sculpture of the Metropolitan Museum of Art, New York) Kaigai shozai Nihon bijutsuhin chōsa hōkoku 海外所在日本美術品調查報告 (Catalogue of Japanese art in foreign collections) 1. Tokyo: Kobunkazai Kagaku Kenkyūkai, 1991, p. 142, cat. no. 440.
Burn, Barbara, ed. Masterpieces of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993, p. 191.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed., New York: The Metropolitan Museum of Art, 1994, p. 94, fig. 5.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
