本阿見光悦書・俵屋宗達下絵 桜下絵和歌色紙 鴨長明 Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms
Calligraphy by Hon'ami Kōetsu (Japanese, 1558–1637)
Underpainting attributed to Tawaraya Sōtatsu (Japanese, died ca. 1640)
Momoyama period (1573–1615)
Poem card (shikishi) mounted as a hanging scroll; ink, gold, and silver on paper
Overall: 7 15/16 x 7in. (20.2 x 17.8cm)
Overall with mounting: 53 x 14 3/4 in. (134.6 x 37.5 cm)
Overall with knobs: 53 x 16 1/2 in. (134.6 x 41.9 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
Nagamureba ni mono omou aki ni mata waga mi hitotsu no mine no matsu kaze
Gazing into the distance, in a melancholy autumn mood, is it for me alone that winds howl through boughs of pines on that solitary peak?
—Trans. John T. Carpenter
This poem page is one of the earliest verifiable works by the influential calligrapher Hon’ami Kōetsu. The poem, included in the anthology New Collection of Ancient and Modern Poems (Shin kokin wakashū), is by the monk-poet Kamo no Chōmei (1153–1216), who was famous for his poems on cherry blossoms. Kōetsu and Tawaraya Sōtatsu produced many similar works on both individual sheets and handscrolls. Rarely do background motifs have any semantic or symbolic connection to the poems they accompany. Here, however, Kōetsu responded with élan to the decorated handscrolls and shikishi that Sōtatsu’s studio presented him to write upon.
Marking: Dated: Keicho 11.11.11.
New York. Japan Society Gallery. "Japanese Calligraphy from Western Collections," October 4, 1984–January 6, 1985.
Kansas City. Nelson-Atkins Museum of Art. "Japanese Calligraphy from Western Collections," February 15, 1985–March 31, 1985.
Seattle Art Museum. "Japanese Calligraphy from Western Collections," May 9, 1985–July 14, 1985.
New Haven. Yale University Art Gallery. "Word in Flower: The Visualization of Classical Literature in 17th Century Japan," September 22, 1989–November 12, 1989.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1995.
New York. The Metropolitan Museum of Art. "Seasonal Pleasures in Japanese Art (Part One)," October 12, 1995–April 28, 1996.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27, 1998–September 27, 1998.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1999.
Philadelphia Museum of Art. "The Arts of Hon'ami Koetsu, Japanese Renaissance Master," July 28, 2000–October 29, 2000.
National Museum of Modern Art, Tokyo. "Rimpa," August 21, 2004–October 3, 2004.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Spring and Summer," December 17, 2005–June 4, 2006.
New York. The Metropolitan Museum of Art. "Poetry and Travel in Japanese Art," December 18, 2008–May 31, 2009.
Washington , DC. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution. "Sōtatsu: Making Waves," October 24, 2015–January 31, 2016.
Artist: Calligraphy by Shōkadō Shōjō (Japanese, 1584?–1639)Date: early 17th centuryMedium: Poem card (shikishi) mounted as a hanging scroll; ink, gold, and silver on colored paper
Accession: 1979.407.1On view in:Not on view
Artist: Hon'ami Kōetsu (Japanese, 1558–1637)Date: 17th centuryMedium: Square with sunken panels on all sides and bottom; four moulded feet; light brown clay; yellow glaze; decoration of flowers, grasses and butterflies in green and dark blue; perforated iron cover (Kyoto ware)Accession: 36.120.643a, bOn view in:Not on view
Artist: Attributed to Hon'ami Kōetsu (Japanese, 1558–1637)Date: ca. 1600Medium: Cclay, pitted, covered with glaze having patches; vertical incisions near lip, under glaze (Raku ware)Accession: 36.120.492a–cOn view in:Not on view