Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm)
Overall with mounting: 66 3/4 x 17 3/4 in. (169.5 x 45.1 cm)
Overall with knobs: 66 3/4 x 20 1/4 in. (169.5 x 51.4 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
Masanobu, a great innovator of ukiyo-e painting, gives the classic tale of the sisters Matsukaze and Murasame a novel treatment. The setting, sketched lightly in ink, is Suma's desolate shore, but the colorful protagonists are characteristic of the "floating world" of Edo's pleasure quarter.
Here, the sisters' lover, Yukihira, is portrayed as an urban bon vivant and affects a stylish nonchalance. His flashy robe is patterned with the bamboo blinds of a well-appointed room and features crests of a courtier's cap, furthering the playful fantasy of the Edo townsman as aristocratic lover. A striped jacket and hat, typical of an Edo dandy, are draped on the tree in the background, recalling the fabled pine at Suma where Yukihira once left a robe and cap as parting gifts.
Paris. Musée des Arts Décoratifs. "Images du Temps Qui Passe," June 1, 1966–October 3, 1966.
Princeton University Art Museum. "Transformations in Japanese Painting," March 1, 1983–June 26, 1983.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part One)," 1997–98.
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27, 2008–June 8, 2008.
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.