Pair of six-panel folding screens; ink and color on gold leaf on paper
Overall (each screen): 47 1/2 x 112 1/2 in. (120.7 x 285.8 cm)
Fletcher Fund, 1951
Not on view
This painting is inspired by one of the most celebrated works of Japanese genre painting: a work known as the Hikone Screen. Illustrated here are the “Four Accomplishments” necessary for well-cultivated gentlemen in ancient China—the musical instrument qin (Japanese: koto), the board game weiqi (Japanese: go), calligraphy, and painting. The Four Accomplishments were a favored painting subject beginning in the Muromachi period (1392–1573) but here appears as a parody—for instance, writing a love letter (or poems) instead of calligraphy.
Zeshin’s reinterpretation, more than two centuries after the original, reconstructs some of the mysterious feel of the Hikone Screen by arranging meaningful-looking figures engaged in various pursuits within the same space. Nevertheless, the eye-pleasing impression has been attained by a careful compositional arrangement in which elements are ordered in a pyramid-like shape toward the center, and by the use of a variety of colors, from vivid to subtle, contrasting with the plain gold background. A few versions of this screen by Zeshin exist, each with distinct variations of the figures and setting.
Signature: .1: Lower left in black ink: Zeshin One seal in red: Zeshin; Tairyūkyo
.2: Lower right in black ink: copied after an old painting, Zeshin. Two seals in red: Zeshin, Tairyūkyo
Artist: Shibata Zeshin (Japanese, 1807–1891)Date: early 19th centuryMedium: Pipe: iron, gold, silver on wood; Pipe case: gold, silver hiramaki-e on black; Tobacco case: dyed cotton with metal fitting of a snail; Netsuke: carved staghorn with paulownia pattern
Accession: 2015.500.2.43a, bOn view in:Not on view
Artist: Shibata Zeshin (Japanese, 1807–1891)Date: 19th centuryMedium: Gold maki-e with mother-of-pearl inlay on black lacquer; netsuke of hardwood with cloisonneAccession: 2015.500.2.44On view in:Not on view
Artist: Shibata Zeshin (Japanese, 1807–1891)Date: second half of the 19th centuryMedium: Gold maki-e on black and brown lacquer, with mother-of-pearl inlay and pewterAccession: 2015.500.2.53a–gOn view in:Not on view