Stonepaste; underglaze painted in blue and turquoise, luster-painted on transparent glaze
H. 4 1/8 in. (10.5 cm)
Diam. 13 5/8 in. (34.6 cm)
H.O. Havemeyer Collection, Gift of Horace Havemeyer, 1948
On view at The Met Fifth Avenue in Gallery 454
Nineteenth-century antiquarians’ fascination with The Thousand and One Nights and its 9th-century protagonist, Harun al‑Rashid, provoked interest in the Syrian city of Raqqa, where this Abbasid caliph once resided, and in the ceramics unearthed there. These prized objects date to the Ayyubid period, however, not Harun’s time. Recent study confirms that Raqqa was an important ceramics center, especially in the first part of the twelfth century, but other centers produced so‑called Raqqa ware as well.
Inscription: In Arabic; appears twice on cavetto; translation: "Complete [ ]". Inscribed sa ada kamila (Consummate happiness), repeated twice.
Marking: Sticker on bottom: 982
[ Kouchakji Frères, Paris, in 1910]; H. O. Havemeyer Collection, New York (by 1931–48; gifted to MMA)
New York. The Metropolitan Museum of Art. "Ceramic Art of the Near East," 1931.
Sarre, Friedrich Dr, and F. R. Martin. "Die Stoffe, die Waffen, Holz und Elfenbein." In Die Ausstellung von Meisterwerken Muhammedanischer Kunst in Munchen 1910. Munich: F. Bruckmann A.-G., 1912. no. 1084, ill. pl. 94.
Dimand, Maurice S. "The Metropolitan Museum of Art, New York, May 12 to June 28, 1931." In Loan Exhibition of Ceramic Art of the Near East. New York, 1931. no. 154, p. 35, ill. pl. 154 (b/w).
Jenkins-Madina, Marilyn. "Ceramics of Ayyubid Syria." In Raqqa Revisited. New York; New Haven: The Metropolitan Museum of Art, 2006. pp. 6, 29,125,166, 222, ill. MMA10 (color), fig. 1.6 (color), pp. 168, 171, 173.