This page once formed part of a now-dispersed manuscript known as the Great Mongol Shahnama, believed to have been produced in the 1330s at Tabriz. A large-scale work, it would have once contained nearly 300 folios with almost 200 paintings. The subject of this beautifully painted folio is unclear as its imagery does not relate directly to its surrounding text, but it likely represents the king Nushirvan dining.
[ Demotte, Inc., New York (by 1926); Dikran G. Kelekian, New York (until d. 1951; his estate, New York, 1951–52; soldto MMA)
New York. The Metropolitan Museum of Art. "The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia 1256-1353," October 28, 2002–February 16, 2003, no. 59.
Los Angeles County Museum of Art. "The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia 1256-1353," April 13, 2003–July 27, 2003, no. 59.
Grube, Ernst J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." In The Classical Style in Islamic Painting. Venice: Edizioni Oriens, 1968. ill. pl. 6 (b/w).
Swietochowski, Marie, and Richard Ettinghausen. "Islamic Painting." Metropolitan Museum of Art Bulletin, n.s., vol. 36, no. 2 (Autumn 1978). pp. 6-7, ill. p. 7 (color).
Swietochowski, Marie, Stefano Carboni, Tomoko Masuya, and Alexander H. Morton. Illustrated Poetry and Epic Images:Persian Painting of the 1330s and 1340s. New York: The Metropolitan Museum of Art, 1994. p. 78, ill. fig. 24 (b/w).
Rossabi, Morris, Charles Melville, James C.Y. Watt, Tomoko Masuya, Sheila S. Blair, Robert Hillenbrand, Linda Komaroff, Stefano Carboni, Sarah Bertelan, and John Hirx. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256–1353, edited by Stefano Carboni, and Linda Komaroff. New Haven: Yale University Press, 2002. no. 59, pp. 226-28, 258, ill. fig. 274 (color).
Jayhani, Hamidreza. "Bāgh-i Samanzār-i nūshāb: Tracing a Landscape." Muqarnas vol. 31 (2014). p. 105, ill. fig. 4 (color).