"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album
Painting by Chitarman (active ca. 1627–70)
recto: 1627–28; verso: ca. 1530–50
Attributed to India
Ink, opaque watercolor, and gold on paper
H. 15 5/16 in. (38.9 cm)
W. 10 1/8 in. (25.7 cm)
Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955
Not on view
The presentation of the emperor amplifies the formula evolved during the reigns of Akbar and Jahangir. Shah Jahan is exquisitely dressed and richly adorned with jewels, his imperial rank emphasized by his radiating halo and the hovering angels borrowed from European art. The skills of many craftsmen and designers of the Mughal court—jewelers, weavers, architects, feather workers, armorers, stonecutters, and others—are represented here. This is Chitarman’s earliest dated picture, painted soon after Shah Jahan’s accession.
Signature: 220.127.116.11 recto: In Persian, on platform: Work of Chitarman, the divine year one.
Marking: 18.104.22.168 recto: Margin number '8' is inscribed in the gilt margin.
Jack S. Rofe, Scotland (in 1929; sale, Sotheby's London,December 12, 1929, to Kevorkian); [ Hagop Kevorkian, New York, from 1929]; [ Kevorkian Foundation, New York, until 1955; gift and sale to MMA]
University Gallery, University of Florida. "Miniatures and Small Sculptures from India," April 10, 1966–May 29, 1966, no. 82.
The Metropolitan Museum of Art. "In the Presence of Kings," April 19, 1967–September 4, 1967, no. 30.
New York. The Metropolitan Museum of Art. "The Emperor's Album: Images of Mughal India," October 21, 1987–February 14, 1988, nos. 57 and 58.
Canberra. National Gallery of Australia. "The Vision of Kings: Art and Experience in India," November 25, 1995–February 4, 1996, no. 96.
Melbourne. National Gallery of Victoria. "The Vision of Kings: Art and Experience in India," February 23, 1996–April 28, 1996, no. 96.
New York. The Metropolitan Museum of Art. "Indian Court Painting," March 25, 1997–July 6, 1997, no. 24.
New York. The Metropolitan Museum of Art. "Flowers Underfoot: Indian Carpets of the Mughal Era," November 20, 1997–March 1, 1998, fig. 8.
University Gallery, University of Florida. "April 10th thru May 29th, 1966." In Miniatures and Small Sculptures from India. 1966. no. 82.
In the Presence of Kings: Royal Treasures from the Collections of the Metropolitan Museum of Art.. New York: The Metropolitan Museum of Art, 1967. no. 30, ill. pl. 30 (b/w).
Swietochowski, Marie, and Richard Ettinghausen. "Islamic Painting." Metropolitan Museum of Art Bulletin, n.s., vol. 36, no. 2 (Autumn 1978). pp. 44-45, ill. p. 44 ((b/w).
Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. pp. 147-48, ill. fig. 113 (color).
Welch, Stuart Cary, Annemarie Schimmel, Marie Lukens Swietochowski, and Wheeler M. Thackston. The Emperors' Album: Images of Mughal India. New York: The Metropolitan Museum of Art, 1987. no. nos. 57, 58, pp. 198-201, ill., verso pl. 57 (b/w); recto pl. 58 (color).
Brand, Michael. "Art and Experience in India." In The Vision of Kings. Canberra, Australia: National Gallery of Australia, 1995. no. 96, p. 138, ill. p. 138 (color).
Kossak, Steven M., ed. Indian Court Painting 16th–19th century. New York: The Metropolitan Museum of Art, 1997. no. 24, pp. 13, 53-54, ill. pl. 24 (color), fig. 6 (color).
Walker, Daniel S. Flowers Underfoot: Indian Carpets of the Mughal Era. New York: The Metropolitan Museum of Art, 1997. p. 22, ill. fig. 8 (color).
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators." In Art of the Islamic World. New York: The Metropolitan Museum of Art, 2012. p. 154, ill. fig. 29 (color).
Haidar, Navina, and Courtney Stewart. "Jewels from the Al-Thani Collection." In Treasures from India. New York: The Metropolitan Museum of Art, 2014. p. 44, ill. (color).